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                                 <figure class="col-md-4 gallery"><a href="http://www.philobiblon.org/typo3temp/pics/5092a6f442.jpg" rel="lightbox[external8362-9 400 300]" target="@mediabox" class="lightbox" alt="" title=""><img src="http://www.philobiblon.org/typo3temp/pics/2120140e6a.jpg" width="160" height="200" itemprop="image" alt="" /></a></figure>
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/il-decamerone-alla-sua-intera-perfettione-ridotto-et-con-dichiarationi-et-auuertimenti-illustrato-p" title="Il Decamerone... alla sua intera perfettione ridotto, et con dichiarationi et auuertimenti illustrato, per Girolamo Ruscelli..."><div class="highlight">The device of three interlaced crescents</div>
                                    <h2>Boccaccio, Giovanni (1313-1375).</h2>
                                    <h3>Il Decamerone... alla sua intera perfettione ridotto, et con dichiarationi et auuertimenti illustrato, per Girolamo Ruscelli.... <span>Vincenzo Valgrisi and Baldassare Costantini,  1557.</span></h3>
                                    Two parts in one volume, 4&deg; (219x167 mm). Collation: *4, A-Z8, AA-II8; a-g4 (fol. HH2 signed H2). [8], 496, [16]; [56] pages. Roman and italic type. Valgrisi's serpent device on both title-pages, and at the end. Each giornata introduced by a large woodcut (fols. A5v, D2v, H5v, L8v, O8v, R8v, T5v, Y2r, BB7r, DD6v). Numerous woodcut animated initials. Contemporary French calf,...
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                                    <div class="tag price">&euro;     9.500 </div>
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                                 <figure class="col-md-4 gallery"><a href="http://www.philobiblon.org/typo3temp/pics/a027e94df2.jpg" rel="lightbox[external8371-9 400 300]" target="@mediabox" class="lightbox" alt="" title=""><img src="http://www.philobiblon.org/typo3temp/pics/41ed686c75.jpg" width="245" height="200" itemprop="image" alt="" /></a></figure>
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/la-theseide-innamoramento-piaceuole-honesto-di-due-giouani-thebani-arcita-palemone-dottaua-r" title="La Theseide... Innamoramento piaceuole, &amp; honesto di due Giouani Thebani Arcita &amp; Palemone; D’ottaua Rima nuouamente ridotta In Prosa per Nicolao Granucci di Lucca. Aggiuntoui un breve Dialogo nel principio e fine dell’Opera diliteuole, &amp; vario"><div class="highlight">A sixteenth-century Lucca edition printed on blue paper, from the Library of Guglielmo Libri</div>
                                    <h2>Boccaccio, Giovanni (1313-1375).</h2>
                                    <h3>La Theseide... Innamoramento piaceuole, & honesto di due Giouani Thebani Arcita & Palemone; D’ottaua Rima nuouamente ridotta In Prosa per Nicolao Granucci di Lucca. Aggiuntoui un breve Dialogo nel principio e fine dell’Opera diliteuole, & vario. <span>Vincenzo Busdraghi for Giulio Guidoboni,  1579.</span></h3>
                                    8o (154x100 mm). Printed on blue paper. Collation: a8, A-S8 (fol. F4 signed G4). 8, 144 leaves. Roman and italic type. Woodcut printer's device on the title-page. Woodcut decorated seven-line initials and headpieces. Fine Parisian red morocco over pasteboards, signed by Hippolyte Duru, and executed in 1847. Covers within double blind fillet. Spine with five small raised-bands,...
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                                    <h2>Calderia, Giovanni (1395-1474).</h2>
                                    <h3>Concordantiae Poetarum Philosophorum &Theologorum... opus vere aureum, quod nunc primum in lucem prodijt ex antiquo exemplari Authoris.... <span>Giuseppe Comino da Trino,  1547.</span></h3>
                                    8&deg; (150x93 mm). Printed on blue paper. Collation: *4, A-Z4, AA-YY4. [4], 179, [1] leaves. Roman and italic type. Woodcut printer's device on the title-page. Numerous woodcut animated initials. Early twentieth-century mottled calf, over pasteboards. Covers within two floral borders. Smooth spine divided into compartments with gilt fillet, gilt title on blue lettering-piece,...
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                                    <div class="tag price">&euro;     9.500 </div>
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                                    <a href="http://www.philobiblon.org/incunaboli-cinquecentine/concordantiae-poetarum-philosophorum-theologorum-opus-vere-aureum-quod-nunc-primum-in-lucem-prodij-1" title="Concordantiae Poetarum Philosophorum &amp;Theologorum... opus vere aureum, quod nunc primum in lucem prodijt ex antiquo exemplari Authoris..."><div class="highlight">Printed on blue paper</div>
                                    <h2>Calderia, Giovanni (1395-1474).</h2>
                                    <h3>Concordantiae Poetarum Philosophorum &Theologorum... opus vere aureum, quod nunc primum in lucem prodijt ex antiquo exemplari Authoris.... <span>Giuseppe Comino da Trino,  1547.</span></h3>
                                    8&deg; (150x93 mm). Printed on blue paper. Collation: *4, A-Z4, AA-YY4. [4], 179, [1] leaves. Roman and italic type. Woodcut printer's device on the title-page. Numerous woodcut animated initials. Early twentieth-century mottled calf, over pasteboards. Covers within two floral borders. Smooth spine divided into compartments with gilt fillet, gilt title on blue lettering-piece,...
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                                    <a href="http://www.philobiblon.org/letteratura/la-famiglia-cavalcabo-ossia-notizie-storiche-intorno-alla-medesima-raccolte-dal-nobile-signor-conte" title="La Famiglia Cavalcabò ossia Notizie storiche intorno alla medesima raccolte dal nobile signor conte d. Giovan Carlo Tiraboschi canonico prevosto della cattedrale di Cremona"><div class="highlight">Local family history</div>
                                    <h2>Tiraboschi, Giovanni Carlo (1746-1818).</h2>
                                    <h3>La Famiglia Cavalcabò ossia Notizie storiche intorno alla medesima raccolte dal nobile signor conte d. Giovan Carlo Tiraboschi canonico prevosto della cattedrale di Cremona. <span>Cremona, Giuseppe Feraboli, 1814.  </span></h3>
                                    8&deg; (191x114 mm). Printed on blue paper. [4], 260 pages. Woodcut headpiece on page 1. Contemporary green morocco. Covers framed within gilt fillet and narrow frieze. Smooth spine, divided into compartments by double gilt fillet, and decorated with floral tools; title in gold on honey morocco lettering-piece. Board edges decorated with gilt diagonal fillets, marbled pastedowns and flyleaves,...
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/la-famiglia-cavalcabo-ossia-notizie-storiche-intorno-alla-medesima-raccolte-dal-nobile-signor-conte-1" title="La Famiglia Cavalcabò ossia Notizie storiche intorno alla medesima raccolte dal nobile signor conte d. Giovan Carlo Tiraboschi canonico prevosto della cattedrale di Cremona"><div class="highlight">Local family history</div>
                                    <h2>Tiraboschi, Giovanni Carlo (1746-1818).</h2>
                                    <h3>La Famiglia Cavalcabò ossia Notizie storiche intorno alla medesima raccolte dal nobile signor conte d. Giovan Carlo Tiraboschi canonico prevosto della cattedrale di Cremona. <span>Giuseppe Feraboli,  1814.</span></h3>
                                    8&deg; (191x114 mm). Printed on blue paper. [4], 260 pages. Woodcut headpiece on page 1. Contemporary green morocco. Covers framed within gilt fillet and narrow frieze. Smooth spine, divided into compartments by double gilt fillet, and decorated with floral tools; title in gold on honey morocco lettering-piece. Board edges decorated with gilt diagonal fillets, marbled pastedowns and flyleaves,...
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                                    <div class="tag price">&euro;       250 </div>
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/rime-et-prose-con-le-concessioni-priuilegij-di-tutti-i-prencipi" title="Rime, et Prose... Con le Concessioni, &amp; Priuilegij di tutti i Prencipi"><div class="highlight">The first appearance in print of the Galateo</div>
                                    <h2>Della Casa, Giovanni (1503-1556).</h2>
                                    <h3>Rime, et Prose... Con le Concessioni, & Priuilegij di tutti i Prencipi. <span>Niccolò Bevilacqua for Erasmo Gemini,  October 1558.</span></h3>
                                    4&deg; (220x157 mm). Collation: a4, b2, A-X4, Y2. [12], 170, [2] pages. Roman type. Woodcut ornaments on the title-page. Woodcut animated initials, one blank space for capital on fol. A1r, with printed guide letter. Eighteenth-century vellum, over pasteboards. Smooth spine, title lettered in gilt. Edges speckled red. Minor wear to the upper portion of the spine. A wide-margined...
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                                    <a href="http://www.philobiblon.org/letteratura/trattato-di-meser-giovanni-della-casa-nel-quale-sotto-la-persona-d-un-vecchio-idiota-ammaestrante-un" title="Trattato di meser Giovanni Della Casa, nel quale sotto la persona d'un vecchio idiota ammaestrante un suo giovanetto si ragiona de modi, che si debbono o tenere, o schifare nella comune conversatione, cognominato Galatheo"><div class="highlight">The first book entirely devoted to good manners</div>
                                    <h2>Della Casa, Giovanni (1503-1556).</h2>
                                    <h3>Trattato di meser Giovanni Della Casa, nel quale sotto la persona d'un vecchio idiota ammaestrante un suo giovanetto si ragiona de modi, che si debbono o tenere, o schifare nella comune conversatione, cognominato Galatheo. <span>Milan, Valerio Meda and Brothers for Giovanni Antonio degli Antoni, 1559..  </span></h3>
                                    8&deg; (162x96 mm). Collation: A-E8, F4. 44 leaves. Italic and roman type. Woodcut printer's device on the title-page and at end. Woodcut decorated initials. Twentieth-century light brown leather, richly gilt tooled. Covers within concentric frames and one lozenge, at centre large fleuron. Spine with five raised bands, title in gilt lettering. Gilt edges. A fine copy.
$ 2,200
The first separate...
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/de-divino-et-vero-numine-apologeticon-rome-etienne-guillery-and-ercole-nani-1514-1515-bound-with-i" title="De divino et vero numine apologeticon. Rome, Marcellus Silber, 1514-1515. (bound with:) Idem. De disciplinarum virtutumque Laudibus opusculum. Rome, Etienne Guillery, 14 September 1515. (bound with:) Idem. Orationes. Rome, Etienne Guillery and Ercole Nani, 30 September 1514. (bound with:) Idem. Oratio [de justiciae laudibus]"><div class="highlight">A reversal of del Tuppo’s celebrated Hercules and Antaeus lunette</div>
                                    <h2>Vipera, Giovanni Mercurio (1426-1527).</h2>
                                    <h3>De divino et vero numine apologeticon. Rome, Marcellus Silber, 1514-1515. (bound with:) Idem. De disciplinarum virtutumque Laudibus opusculum. Rome, Etienne Guillery, 14 September 1515. (bound with:) Idem. Orationes. Rome, Etienne Guillery and Ercole Nani, 30 September 1514. (bound with:) Idem. Oratio [de justiciae laudibus]. <span>[Rome, Johannes Beplin, ca. 1513].  </span></h3>
                                    Four works in one volume, 4&deg; (198x130 mm). I. Six parts. Collation: a-b4, c6; a-d4; a-b4, c6 ; a-c4; a-b4, c6; a-f4. [94] leaves. Roman type. Each part with separate title-page within a fine woodcut compartment of floral design on black ground. II. Collation: A-T4. [76] leaves. Roman and gothic type. Title-page within woodcut border on black ground from the celebrated del Tuppo...
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                                    <div class="tag price">&euro;     9.500 </div>
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                                    <a href="http://www.philobiblon.org/letteratura/novella-dell-abate-girolamobaruffaldi-ferrarese" title="Novella dell'abate GirolamoBaruffaldi Ferrarese"><div class="highlight">A bibliographical rarity</div>
                                    <h2>Baruffaldi, Girolamo (1675-1753). .</h2>
                                    <h3>Novella dell'abate GirolamoBaruffaldi Ferrarese. <span>Bergamo, Stamperia Mazzoleni, 1848.  </span></h3>
                                    Large 4&deg; (288x206 mm; the last four leaves 288x161 mm). Printed on blue paper. [4], 8, [2] pages. First and last leaf blank. Small woodcut ornament on the title-page. Original orange editorial boards, title and imprint lettered in gilt on the upper cover. Small losses to spine and corners. A very good copy, a few minor, occasional spots.
 
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/novella-dell-abate-girolamobaruffaldi-ferrarese-1" title="Novella dell'abate GirolamoBaruffaldi Ferrarese"><div class="highlight">A bibliographical rarity</div>
                                    <h2>Baruffaldi, Girolamo (1675-1753). .</h2>
                                    <h3>Novella dell'abate GirolamoBaruffaldi Ferrarese. <span>Bergamo, Stamperia Mazzoleni, 1848.  </span></h3>
                                    Large 4&deg; (288x206 mm; the last four leaves 288x161 mm). Printed on blue paper. [4], 8, [2] pages. First and last leaf blank. Small woodcut ornament on the title-page. Original orange editorial boards, title and imprint lettered in gilt on the upper cover. Small losses to spine and corners. A very good copy, a few minor, occasional spots.
 
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                                    <div class="tag price">&euro;       350 </div>
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/canzoni-e-sonetti-dellamore-e-della-bellezza-divina-con-commento" title="Canzoni e sonetti dell’amore e della bellezza divina, con commento"><div class="highlight">Bonfire of the Vanities</div>
                                    <h2>Benivieni, Girolamo (1453-1542).</h2>
                                    <h3>Canzoni e sonetti dell’amore e della bellezza divina, con commento. <span>Antonio Tubini, Laurentius (Francisci) de Alopa, Venetus and Andrea Ghirlandi,  7 September 1500.</span></h3>
                                    Chancery folio (281x212 mm). Collation: [&pi;]4, a-n8, o6, oo10, p8, q10, r-s6. [4], CL leaves. Text in one column, surrounded by commentary, 44-45 lines. Fols. r1-s6 in two columns, shoulder notes. Type 2:107R (text), 1:86R (commentary). Blank spaces for capitals, with printed guide letters. Contemporary blind-tooled brown calf, over wooden boards. Covers within three fillets, and...
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                                    <div class="tag price">&euro;    45.000 </div>
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/in-cl-ptolemaei-de-astrorum-iudiciis-lib-iiii-commentaria-hic-accesserunt-de-septem-erratic" title="In Cl. Ptolemaei de astrorum iudiciis... lib. IIII commentaria... Hic accesserunt... De septem erraticarum stellarum qualitatibus atque viribus... Geniturarum item XII... Cunradi Dasypodii... scholia et resolutiones... in... Apostelesmaticos Cl. Ptolomaei"><div class="highlight">Cardinal Bourbon’s Cardano</div>
                                    <h2>Cardano, Girolamo (1501-1576).</h2>
                                    <h3>In Cl. Ptolemaei de astrorum iudiciis... lib. IIII commentaria... Hic accesserunt... De septem erraticarum stellarum qualitatibus atque viribus... Geniturarum item XII... Cunradi Dasypodii... scholia et resolutiones... in... Apostelesmaticos Cl. Ptolomaei. <span>Heinrich Petri,  September 1578.</span></h3>
                                    Folio (320x195 mm). Collation: a8, A-Z8, Aa-Ll8, 2Aa-Ff8, 2Gg10, 3Aa-Bb8, 3Cc6, 3Dd2, 3Ee-Ff8, 3Gg6, 3Hh4, 3Ll10. [16], 510, [2], 602-838 [i.e. 834], [2] pages. Roman, italic, and Greek type. Woodcut printer's device on the verso of the last leaf. Title-page with woodcut portrait of Cardanus within a cartouche. Woodcut animated and decorated initials. Numerous woodcut diagrams in...
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/inamoramento-de-rinaldo-de-monte-albano-et-diverse-ferocissime-battaglie-lequale-fece-lardito-et-f" title="Inamoramento de’ Rinaldo de monte Albano et diuerse ferocissime battaglie leq[ua]le fece lardito et francho Paladino et come occise Ma[m]brino di Leuante et moltissimi forti pagani..."><div class="highlight">The Fairfaix Murray, Martini, Olschki, Brunschwig, and Berès copy</div>
                                    <h2>Forti, Girolamo (d. 1489).</h2>
                                    <h3>Inamoramento de’ Rinaldo de monte Albano et diuerse ferocissime battaglie leq[ua]le fece lardito et francho Paladino et come occise Ma[m]brino di Leuante et moltissimi forti pagani.... <span>Giovanni Tacuino,  8 August 1517.</span></h3>
                                    4&deg; (214x158 mm). Collation: a-y8, z4. [180] leaves, complete with the last leaf blank. Gothic and roman type. Text in two columns. On the title-page, a large woodcut medallion portrait of Rinaldo on horseback. Numerous woodcut vignettes in text, some on black ground. Nineteenth-century red morocco over pasteboards, signed on the front pastedown by Georges Trautz-Bauzonnet...
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                                    <div class="tag price">&euro;    16.000 </div>
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/la-donna-delinquente-la-prostituta-e-la-donna-normale" title="La donna delinquente. La prostituta e la donna normale"><div class="highlight">‘Normal’ versus ‘criminal’ woman, such as ‘the prostitute’</div>
                                    <h2>Lombroso, Cesare (1835-1909).</h2>
                                    <h3>La donna delinquente. La prostituta e la donna normale. <span>L. Roux,  1893.</span></h3>
                                    8&deg; (242x154 mm). XI, [1], 640 pages. With the engraved portrait of Messalina on the title-page, eight plates (four folding) and several diagrams, photographs, and statistical tables in the text. Possibly original blue cloth, gilt title on spine. Joints weakened. A good copy, only slightly browned, plate VI loose.
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                                    <div class="tag price">&euro;     2.800 </div>
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                                    <a href="http://www.philobiblon.org/illustrati-libri-artista/edward-hopper" title="Edward Hopper"><div class="highlight"></div>
                                    <h2>Guy Pène Du Bois.</h2>
                                    <h3>Edward Hopper. <span>New York, Whitney Museum of Art, 1931..  </span></h3>
                                    250x190 mm, 54, [4] pp. Tavole illustartive stampate in bianco e in nero, ritraenti le opere di Hopper. Ritratto fotografico dell&rsquo;artista in bianco e nero, realizzato da Soichi Sunami. Legatura in tela bruna, sovraccoperta arancione. Esemplare in ottimo stato di conservazione
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/feldtbuch-der-wund-artzney-sampt-vilen-instrumenten-der-chirurgey-dem-albucasi-contrafayt-chiromanti" title="Feldtbuch der Wund Artzney, sampt vilen Instrumenten der Chirurgey dem Albucasi contrafayt. Chiromantia Jo. Indagine. Das ist, die Kunst der Handtbesehung. Natürliche Astrologey, nach warem Lauff der Sonnen. Physiognomey, uss des Menschens Anblick und Glyderen, sein angeborne Neygung zu erlernen... Wie auch, und wenn sich der Artzney zugebrauchen"><div class="highlight">Renaissance military surgery, complete with the two 'fugitive sheets'</div>
                                    <h2>Gersdorff, Hans von (ca. 1455-1529).</h2>
                                    <h3>Feldtbuch der Wund Artzney, sampt vilen Instrumenten der Chirurgey dem Albucasi contrafayt. Chiromantia Jo. Indagine. Das ist, die Kunst der Handtbesehung. Natürliche Astrologey, nach warem Lauff der Sonnen. Physiognomey, uss des Menschens Anblick und Glyderen, sein angeborne Neygung zu erlernen... Wie auch, und wenn sich der Artzney zugebrauchen. <span>Johann Schotten,  3 December 1540.</span></h3>
                                    Three parts in one volume, folio (289x190 mm). Collation: [&pi;]4, a-z4, Aa-Bb4, Cc6; A4, B6; aa4, B-R4, S6. [8], CCX [i.e. CCXII]; XX; CXLV, [3] pages (with errors in numbering). Complete with fol. S6 blank. Gothic type. Woodcut printer's device on fol. S5r. Twenty-four full-page woodcut anatomical and medical illustrations (fols. d4v, f2v, g3v, g4r, h1v,...
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                                    <div class="tag price">&euro;   110.000 </div>
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/-5f7ecf27f5" title="Ἠσιόδου τοῦ Ἀσκραίου Έργα καὶ Ἠμέραι. Θεογονία. Ἀσρις Ἠρακλέους. Ἄπαντα δὲ μετὰ πολλῶν καὶ καλίστων ἐξηγήσεων. Hesiodi Ascraei Opera et dies. Theogonia. Scutum Herculis..."><div class="highlight">Besides Homer, there is Hesiod — Alfred Eckhard Zimmern</div>
                                    <h2>Hesiodus (fl. 8th-7th century BC).</h2>
                                    <h3>Ἠσιόδου τοῦ Ἀσκραίου Έργα καὶ Ἠμέραι. Θεογονία. Ἀσρις Ἠρακλέους. Ἄπαντα δὲ μετὰ πολλῶν καὶ καλίστων ἐξηγήσεων. Hesiodi Ascraei Opera et dies. Theogonia. Scutum Herculis.... <span>Bartolomeo Zanetti for Giovanni Francesco Trincavelli,  June 1537.</span></h3>
                                    4&deg; (207x147 mm). Collation: &dagger;4, &alpha;-&phi;8, &omega;4. [4], LXXXVIII [i.e. CLXXXVIII] leaves. Greek, roman and italic type. Text in Greek and Latin. Woodcut printer's device on the title-page. Full-page woodcut depicting farm implements and agricultural tools on fol. &xi;8v; two woodcut diagrams on fols. o1v and o4v. On fol. &dagger;2r seven-line woodcut...
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/epistolae-italian-add-lupus-de-oliveto-olmeto-regula-monachorum-ex-epistolis-s-hieronymi-excerpt" title="Epistolae [Italian]. Add: Lupus de Oliveto (Olmeto): Regula monachorum ex Epistolis S. Hieronymi excerpta [Italian] De la observatione del culto de la vera religione (Tr: Mattheo da Ferrara)"><div class="highlight">A spectacular illuminated copy</div>
                                    <h2>Hieronymus, Sophronius Eusebius (347-420).</h2>
                                    <h3>Epistolae [Italian]. Add: Lupus de Oliveto (Olmeto): Regula monachorum ex Epistolis S. Hieronymi excerpta [Italian] De la observatione del culto de la vera religione (Tr: Mattheo da Ferrara). <span>Laurentius de Rubeis, de Valentia,  12 October 1497.</span></h3>
                                    Folio (300x206 mm). Collation: a10, b-m8, n-o6, p-r8, s6, t8, u6, x8, y-z6, &amp;6, cum6, rum6, A-N6. [1], CCLXIX, [1] leaves. Text in two columns, 46-50 lines. Type: 6:105R. Xylographic title-page. Full-page woodcuts on fols. a2v and K3v, two four-sided borders on fols. a3r and K4r, and 161 woodcut vignettes, all illuminated by a contemporary Ferrarese artist. Vinestem illuminated...
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                                    <div class="tag price">&euro;   550.000 </div>
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/commentaria-in-bibliam-ed-bernardinus-gadolus" title="Commentaria in Bibliam. Ed: Bernardinus Gadolus"><div class="highlight">A re-use of the magnificent Herodotus’ border</div>
                                    <h2>(Benedetto Bordone). Hieronymus, Sophronius Eusebius (347-420).</h2>
                                    <h3>Commentaria in Bibliam. Ed: Bernardinus Gadolus. <span>Johannes and Gregorius de Gregoriis, de Forlivio,  1497 - 25 August 1498.</span></h3>
                                    Three volumes, folio (341x223mm). Collation: I. A8, &lt;2-3&gt;6, &lt;4-6&gt;6, a-c8, d10, e8, f6, g-h10, i8, k6, l-u8, x-y6. Fol. o3 signed m3. II. A-R8, S10, T-Z8, AA-BB8, CC6, DD-HH8, DDD-EEE8, FFF-HHH6, DDDD-GGGG6, HHHH4, II8, KK-LL6. III. Collation: aa-ff8, ll-ss8, tt10, vv-zz8 (yy8 blank), &amp;&amp;12-1, a8,b-c6, AA6, aAA8 (fol. aAA blank), BBb-PPp8, QQq6. In all 839 of...
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                                    <div class="tag price">&euro;    12.000 </div>
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/hippocratis-coi-asclepiadeae-gentis-sacrae-coryphaei-viginti-duo-commentarii-tabulis-illustrati-grae" title="Hippocratis Coi Asclepiadeae gentis sacrae Coryphaei viginti duo commentarii tabulis illustrati: Graecus contextus... emendates. Latina versio Iani Cornarij... correcta... Theod. Zvingeri Bas. studio &amp; conatu..."><div class="highlight">'manu Joachim Camerarii Fil. sunt scripta’ — Gottlieb Christoph Harless</div>
                                    <h2>Hippocrates (ca. 460-370 BC).</h2>
                                    <h3>Hippocratis Coi Asclepiadeae gentis sacrae Coryphaei viginti duo commentarii tabulis illustrati: Graecus contextus... emendates. Latina versio Iani Cornarij... correcta... Theod. Zvingeri Bas. studio & conatu.... <span>Eusebius Episcopius and Heirs of Nikolaus Episcopius,  1579.</span></h3>
                                    Folio (320x208 mm). Collation: &alpha;6, &beta;8, A-Z6, Aa-Zz6, AA-DD6, EE8, FF-LL6, MM10. [28], 594, [114] pages. Roman, italic and Greek type. Woodcut printer's devices on the title-page and verso of the last leaf. Woodcut animated and decorated initials, on seven lines that on fol. &alpha;2r. Contemporary limp vellum, yapp edges. Traces of ties. Smooth spine, with inked title....
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                                    <a href="http://www.philobiblon.org/incunaboli-cinquecentine/omnia-opera-hippocratis" title="Ἅπαντα τὰ τοῦ Ἱπποκράτους. Omnia opera Hippocratis."><div class="highlight"></div>
                                    <h2>Hippokrates.</h2>
                                    <h3>Ἅπαντα τὰ τοῦ Ἱπποκράτους. Omnia opera Hippocratis.. <span>Venezia, eredi di Aldo Manuzio e Andrea Torresano, maggio 1526..  </span></h3>
                                    In-folio (mm 297&times;203). Segnatura: *6, A-Z8, AA-EE8, FF10 (le carte *1, *3 e *4 impresse al solo recto, la carta FF10 al solo verso). Sei carte non numerate, 233 numerate, una carta non numerata. Carattere greco e romano. Testo in greco; in latino intitolazione e privilegio al frontespizio, breve di Clemente VII (c. *2), epistola dedicatoria (c. *3), registro e colophon al verso della carta...
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                                    <h2>Homeros.</h2>
                                    <h3>I. Ὁμήρου Ἰλιάς. Homeri Ilias. II. Ὁμήρου Ὀδύσσεια. Βατραχομυομαχία. Ὕμνοι λβ´. Homeri Odyssea. Batrachomyomachia. Hymni ΧΧΧΙΙ. Eorundem lectio. (segue:) Ὀμήρου. <span>Venezia, Giovanni Farri & fratelli, 1542..  </span></h3>
                                    Due volumi in-8&deg; (mm 154&times;102). I. Segnatura: A-Z8, AA-MM8, NN4 (impressa al solo recto la carta A1, al solo verso le carte A2 e NN4) 284 carte non numerate. Carattere greco, romano e corsivo. Testo in greco; in latino intitolazione e note tipografiche al frontespizio. II. Due parti in un volume, ognuna con frontespizio proprio. Segnatura: AA-ZZ8, AAA-III8, KKK4; a-g8 (impressa al solo...
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                                    <a href="http://www.philobiblon.org/legature-pregio/i-homeri-ilias-ii-1" title="I. Ὁμήρου Ἰλιάς. Homeri Ilias. II. Ὁμήρου Ὀδύσσεια. Βατραχομυομαχία. Ὕμνοι λβ´. Homeri Odyssea. Batrachomyomachia. Hymni ΧΧΧΙΙ  (Legato con:) Kointos Smyrnaios"><div class="highlight"></div>
                                    <h2>Homeros.</h2>
                                    <h3>I. Ὁμήρου Ἰλιάς. Homeri Ilias. II. Ὁμήρου Ὀδύσσεια. Βατραχομυομαχία. Ὕμνοι λβ´. Homeri Odyssea. Batrachomyomachia. Hymni ΧΧΧΙΙ  (Legato con:) Kointos Smyrnaios. <span>[Venezia, Aldo Mnauzio, 1504].  </span></h3>
                                    Tre opere in due volumi in-8&deg; (mm 163&times;100). I. Segnatura: 1-78, A-Z8, AA-LL8, MM6 (bianca la carta MM6; impressa al solo verso la carta 1/1). 334 carte non numerate, bianca l&rsquo;ultima carta. Carattere greco, romano e corsivo. Testo in greco, in latino intitolazione alla carta A1r e l&rsquo;epistola dedicatoria di Aldo, alle carte A1v-A2r. Marca tipografica, incisa su legno, di Aldo...
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                                    <h2>Picasso, Pablo (1881-1973) - Balzac, Honoré de (1799-1850).</h2>
                                    <h3>Le Chef-D'oeuvre Inconnu. <span>Ambroise Vollard,  1931.</span></h3>
                                    4&deg; (335x260 mm). XIV, [3], [16 pages lettered A to P], [3], 92, [14] pages. With thirteen original etchings by Picasso, pulled by Louis Fort; sixty-seven wood engravings cut by George Aubert after Picasso's drawings; and 16 pages reproducing lineblock dot and line drawings. Handsomely bound in a custom binding by Ren&eacute; Kieffer, with his signature on the lower turn-ins of...
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