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                                 <figure class="col-md-4 gallery"><a href="http://www.philobiblon.org/typo3temp/pics/48c33a3614.jpg" rel="lightbox[external8079-9 400 300]" target="@mediabox" class="lightbox" alt="" title=""><img src="http://www.philobiblon.org/typo3temp/pics/44401661fb.jpg" width="123" height="200" itemprop="image" alt="" /></a></figure>
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/lodi-del-porco-opera-piacevole-e-ridicolosa-nella-quale-a-pieno-si-descrive-la-perfezzione-la-bont" title="Lodi del Porco, Opera Piaceuole Et Ridicolosa. Nella quale à pieno si descriue la Perfezzione, la bontà, l’eccellenza, l’industria, la magnanimità, la valorosità, e la fierezza del Porco..."><div class="highlight">The only known copy and possible first edition of this panegyric on pork</div>
                                    <h2>Berselli, Girolamo (fl. end of the 16th century).</h2>
                                    <h3>Lodi del Porco, Opera Piaceuole Et Ridicolosa. Nella quale à pieno si descriue la Perfezzione, la bontà, l’eccellenza, l’industria, la magnanimità, la valorosità, e la fierezza del Porco.... <span>Florence, 1592.  </span></h3>
                                    8&deg; (140x93 mm). Collation: A4. [4] leaves. Roman type. Title within an ornamental woodcut border. Modern half-morocco, marbled covers. A fine copy.
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                                    <div class="tag price">&euro;     4.600 </div>
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                                 <figure class="col-md-4 gallery"><a href="http://www.philobiblon.org/typo3temp/pics/2282e1a01e.jpg" rel="lightbox[external8361-9 400 300]" target="@mediabox" class="lightbox" alt="" title=""><img src="http://www.philobiblon.org/typo3temp/pics/38cd2e6ad2.jpg" width="142" height="200" itemprop="image" alt="" /></a></figure>
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/chirurgia-de-chirurgia-scriptores-optimi-quique-veteres-et-recentiores-plerique-in-germania-antehac" title="Chirurgia. De Chirurgia Scriptores optimi quique veteres et recentiores, plerique in Germania antehac non editi, nunc primum in unum coniuncti volumen..."><div class="highlight">A bio-bibliographical survey on surgery and surgeons, by the Father of Bibliography</div>
                                    <h2>Gessner, Conrad (1516-1565).</h2>
                                    <h3>Chirurgia. De Chirurgia Scriptores optimi quique veteres et recentiores, plerique in Germania antehac non editi, nunc primum in unum coniuncti volumen.... <span>Andreas and Jacob Gessner,  March 1555.</span></h3>
                                    Folio (321x205 mm). Collation: &dagger;6, *4, A-Z6, a-z6, Aa-Yy6, &alpha;-&beta;6, &gamma;8. [10], 408 [i.e. 406], [21] of 22 leaves. Lacking the final blank leaf, but complete with blank *4. Roman, italic, and Greek type. Printer's woodcut device on the title-page and fol. Yy6v. 260 woodcut illustrations in the text (some full-page) cut by Jos Murer. Seventeenth-century...
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                                    <div class="tag price">&euro;     9.000 </div>
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                                    <a href="http://www.philobiblon.org/letteratura/crestomazia-italiana-cioe-scelta-di-luoghi-insigni-o-per-sentimento-o-per-locuzione-raccolti-dagli" title="Crestomazia italiana cioè scelta di luoghi insigni o per sentimento o per locuzione raccolti dagli scritti italiani in prosa di autori eccellenti d'ogni secolo"><div class="highlight"></div>
                                    <h2>Giacomo Leopardi.</h2>
                                    <h3>Crestomazia italiana cioè scelta di luoghi insigni o per sentimento o per locuzione raccolti dagli scritti italiani in prosa di autori eccellenti d'ogni secolo. <span>Milano, Stella e Figli, 1827.  </span></h3>
                                    Due volumi in-12&deg; (mm 189x116). 356 pagine; 744 pagine. Brossura editoriale arancione, al piatto anteriore note tipografiche entro cornice neoclassica, ripetute al dorso. Splendido esemplare con barbe, lievi screpolature in corrispondenza delle cerniere e delle estremit&agrave; della brossura.
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/rime-1" title="Rime di M. Giacomo Marmitta Parmeggiano"><div class="highlight">It should be a Parmesan binding... — Bernard Quaritch</div>
                                    <h2>Marmitta, Giacomo (1504-1561).</h2>
                                    <h3>Rime di M. Giacomo Marmitta Parmeggiano. <span>Seth Viotti,  1564.</span></h3>
                                    4&deg; (206x152 mm). Collation: A4, 2A-Z4, a-c4. [8], 198, [10] pages. Roman and italic type. Woodcut printer's device on the title-page. Woodcut animated initials and headpieces throughout the text. Contemporary (Parma?) brown, gilt-tooled morocco, over pasteboards. Covers within a broad border with an interlacing design and small floral tools, central shaped compartment built up...
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                                    <div class="tag price">&euro;     9.500 </div>
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/catalogo-di-alcune-edizioni-bodoniane" title="Catalogo di alcune edizioni bodoniane"><div class="highlight">A small catalogue for bibliophiles</div>
                                    <h2>Bodoni, Giambattista (1740-1813).</h2>
                                    <h3>Catalogo di alcune edizioni bodoniane. <span>Giambattista Bodoni,  1793.</span></h3>
                                    Small 8&deg; (147x103 mm). XXIII, [1] pages. Recased in old boards. A fine copy.
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                                    <div class="tag price">&euro;     4.000 </div>
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                                    <a href="http://www.philobiblon.org/scienze-umane-filosofia/manuale-tipografico" title="Manuale tipografico."><div class="highlight"></div>
                                    <h2>Giambattista Bodoni.</h2>
                                    <h3>Manuale tipografico.. <span>Parma, Presso la Vedova, 1818..  </span></h3>
                                    Due volumi in-4&deg; (mm 320x224). I: 1: &pi;2, &chi;4, &alpha;4, b4, c6, a-i4, [h2], 1-654, 666; 325 carte, le cc. alv-c6r numerate II-XXVII, le cc. alr-i4v numerate I-LXXII, le cc. 1/1-65/5 numerate 1-265, le cc. 66/6r-66/6v numerate 266-267. II: &pi;2, *1-*684, (4+3fogli non ripiegati con notazione musicale) 279 carte, le cc. n/2- *68/4+3 numerate 2-275, le cc. nr-*2v numerate 276-279....
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/luniuersale-fabrica-del-mondo-overo-cosmografia-diuisa-in-quattro-trattati-di-nuouo-ornata-con" title="L’uniuersale fabrica del mondo, overo Cosmografia... Diuisa in quattro Trattati... Di nuouo ornata con le figure delle quattro parti del Mondo in Rame"><div class="highlight">From the celebrated Pillone Library Vecellio’s drawn maps on vellum covers</div>
                                    <h2>Anania, Gianni Lorenzo da (1545-1609).</h2>
                                    <h3>L’uniuersale fabrica del mondo, overo Cosmografia... Diuisa in quattro Trattati... Di nuouo ornata con le figure delle quattro parti del Mondo in Rame. <span>Andrea Muschio for Giacomo Aniello De Maria,  1582.</span></h3>
                                    4&deg; (218x157 mm). Collation: &dagger;8, &dagger;&dagger;4, a-d4, A-Z4, Aa- Zz4, Aaa-Bbb4, Ddd6. [56], 402 pages, lacking the last blank leaf. Roman and italic type. Woodcut printer's device on the title-page. One double-page engraved map of 'ORBIS DESCRIPTIO'; four folding engraved maps depicting Europe, Asia, Africa, and the Americas. Woodcut decorated initials, head- and...
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                                    <div class="tag price">&euro;   140.000 </div>
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/de-gestis-ducum-tridentinorum-de-gallorum-senonum-aduentu-in-italiam-de-origine-vrbis-tridentinae-de" title="De gestis ducum Tridentinorum. De Gallorum Senonum aduentu in Italiam. De origine vrbis Tridentinae. De appellatione et transitu Alpium. De confinibus Italiae. Libri duo"><div class="highlight"></div>
                                    <h2>Pincio, Giano Pirro (fl. 1st half of the 16th century).</h2>
                                    <h3>De gestis ducum Tridentinorum. De Gallorum Senonum aduentu in Italiam. De origine vrbis Tridentinae. De appellatione et transitu Alpium. De confinibus Italiae. Libri duo. <span>Venturino Ruffinelli,  1546.</span></h3>
                                    Two parts in one volume, folio (310x205 mm). Collation: A-B8; &dagger;8, A-M8, N10. 16; [8], 104, [2] leaves. Complete with the last two leaves blank. Roman and italic type. Blank spaces for capitals, with printed guide letters. Contemporary limp vellum. Spine with three raised bands, with inked title. Outer corners of the upper cover skilfully repaired. A good, and genuine copy. A...
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/figuratio-aristotelici-physici-auditus-ad-illustrem-admodum-atque-reverendum-dominum-d-petrum-dalbe" title="Figuratio Aristotelici Physici auditus... Ad illustrem admodum atque reuerendum dominum D. Petrum Dalbenium Abbatem Belleuillae. Paris, Pierre Chevillot, 1586. [bound with:] Idem. Dialogi duo de Fabricii Mordentis Salernitani propè diuina adinuentione ad perfectam cosmimetriae praxim"><div class="highlight">The two rarest Giordano Bruno editions</div>
                                    <h2>Bruno, Giordano (1548-1600).</h2>
                                    <h3>Figuratio Aristotelici Physici auditus... Ad illustrem admodum atque reuerendum dominum D. Petrum Dalbenium Abbatem Belleuillae. Paris, Pierre Chevillot, 1586. [bound with:] Idem. Dialogi duo de Fabricii Mordentis Salernitani propè diuina adinuentione ad perfectam cosmimetriae praxim. <span>Pierre Chevillot,  1586.</span></h3>
                                    Two works in one volume, 8&deg; (163x101 mm). I. Collation: &atilde;8, A-E8, F2, 2A-B8. [8], 14, [2] leaves. The copy is incomplete, and contains the preliminary quire &atilde;8 (title-page, dedicatory epistle to Pietro Dalbene, Iordanus Brunus Nolanus de Quindecim imaginibus auditionis physicae figuratiuis, the woodcut on fol. &atilde;6v, and the Divisio Universae Philosophiae),...
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/summa-terminorum-metaphysicorum-accessit-eiusdem-praxis-descensus-seu-applicatio-entis-ex-manuscrip" title="Summa terminorum metaphysicorum... Accessit eiusdem praxis Descensus, seu applicatio Entis ex manuscripto, per Raphaelem Eglinum Jconium Tigurinum"><div class="highlight">Giordano Bruno’s philosophical lexicon</div>
                                    <h2>Bruno, Giordano (1548-1600).</h2>
                                    <h3>Summa terminorum metaphysicorum... Accessit eiusdem praxis Descensus, seu applicatio Entis ex manuscripto, per Raphaelem Eglinum Jconium Tigurinum. <span>Rudolph Hutwelcker,  1609.</span></h3>
                                    8&deg; (155x95 mm). Collation: A-P8, Q4. [16], 229, [3] pages. Roman and italic type. Woodcut ornament on the title-page; woodcut headpieces and decorated initials. Some diagrams in the text. Contemporary limp vellum; smooth spine with running stitches, and traces of inked title, in a contemporary hand. Traces of ties. Binder's waste from a printed seventeenth-century German...
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/opusculum-raymundinum-de-auditu-kabbalistico-siue-ad-omnes-scientias-introductorium-paris-gilles-go" title="Opusculum Raymundinum De auditu Kabbalistico siue ad omnes scientias introductorium... Paris, Gilles Gorbin, 1578. (bound with:) Idem. Ars brevis illuminatis Doctoris Magistri Raymundi Lull. Quae est ad omnes scientias pauco &amp; breui tempore assequendas introductorium &amp; breuis via... Paris, Gilles Gorbin, 1578. (bound with:) Bruno, Giordano (1548-1600). Philoteus Iordanus Brunus Nolanus De compendiosa architectura, &amp; complementi artis Lullij. Ad illustriss. D.D. Ioannem Morum pro serenissima Venetorum R.p. apud Christianissimum Gallorum &amp; Polonorum regem, legatum"><div class="highlight">Bruno and the revival of Lullism in the Renaissance</div>
                                    <h2>[Giordano Bruno]. Lull Ramón (1232-1316).</h2>
                                    <h3>Opusculum Raymundinum De auditu Kabbalistico siue ad omnes scientias introductorium... Paris, Gilles Gorbin, 1578. (bound with:) Idem. Ars brevis illuminatis Doctoris Magistri Raymundi Lull. Quae est ad omnes scientias pauco & breui tempore assequendas introductorium & breuis via... Paris, Gilles Gorbin, 1578. (bound with:) Bruno, Giordano (1548-1600). Philoteus Iordanus Brunus Nolanus De compendiosa architectura, & complementi artis Lullij. Ad illustriss. D.D. Ioannem Morum pro serenissima Venetorum R.p. apud Christianissimum Gallorum & Polonorum regem, legatum. <span>Gilles Gorbin,  1582.</span></h3>
                                    Three works in one volume, 16&deg; (113x69 mm). I. Collation: A-K8. 82 [i.e. 80, omitted leaves 63 and 66] leaves. Roman and italic type. Woodcut printer's device on the title-page. Six plates hors-texte, including one folding (TABVLA GENERALIS), and one with a volvelle between fols. B4 and B5. The outer margin of one plate trimmed. Woodcut diagrams in the text. Woodcut headpiece,...
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/anticopernicus-catholicus-seu-de-terrae-statione-et-de-solis-motu-contra-systema-copernicanum-cathol" title="Anticopernicus catholicus, seu De terrae statione, et de solis motu, contra systema Copernicanum, Catholicae Assertiones..."><div class="highlight">The first publication of the Inquisitorial sentence against Galileo</div>
                                    <h2>Polacco, Giorgio (1570-ca. 1650).</h2>
                                    <h3>Anticopernicus catholicus, seu De terrae statione, et de solis motu, contra systema Copernicanum, Catholicae Assertiones.... <span>Guerigli Press,  1644.</span></h3>
                                    4&deg; (230x166 mm). Collation: *4, A-M4, N6 (quire L signed K). [8], 107, [1] pages. Roman and italic type. Engraved diagram of the solar system on the title-page. Two engraved illustrations on fols. C1v and C2r, showing the moon and sun spots. Woodcut decorated initials and headpieces. Later bound 'alla rustica' (possibly a rembo&icirc;tage). A good copy, uncut. Title-page...
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                                    <div class="tag price">&euro;    46.000 </div>
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                                 <figure class="col-md-4 gallery"><a href="http://www.philobiblon.org/typo3temp/pics/b9a851e44a.jpg" rel="lightbox[external8389-9 400 300]" target="@mediabox" class="lightbox" alt="" title=""><img src="http://www.philobiblon.org/typo3temp/pics/7bd66187c2.jpg" width="91" height="200" itemprop="image" alt="" /></a></figure>
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/le-poesie-di-giorgio-baffo-patrizio-veneto" title="Le Poesie di Giorgio Baffo Patrizio Veneto"><div class="highlight">Le plus grand poète priapique qui ait jamais existé et en même temps l’un des poètes les plus lyriques du XVIIIme siècle — Guillaume Apollinaire</div>
                                    <h2>Baffo, Giorgio (1694-1768).</h2>
                                    <h3>Le Poesie di Giorgio Baffo Patrizio Veneto. <span>[London or Venice ?], 1771.  </span></h3>
                                    Large 12&deg; (179x111 mm). [2], 250 pages, lacking the last blank leaf. Nineteenth-century half-calf, over pasteboards. Marbled covers. Spine tooled in gilt, title in gold on red morocco lettering-piece. Marbled flyleaves; edges marbled. A good copy, repair to the outer blank margin of the title-page, slight foxing in places. A few leaves browned.
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                                    <div class="tag price">&euro;     5.200 </div>
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                                    <a href="http://www.philobiblon.org/incunaboli-cinquecentine/descrizione-dell-apparato-fatto-nel-tempio-di-s-giovanni-di-fiorenza-per-lo-battesimo-della-signora" title="Descrizione dell' apparato fatto nel tempio di S. Giovanni di Fiorenza per lo Battesimo della Signora prima figliuola dell' Illustrissimo...Don Francesco Medici"><div class="highlight"></div>
                                    <h2>Giorgio Vasari.</h2>
                                    <h3>Descrizione dell' apparato fatto nel tempio di S. Giovanni di Fiorenza per lo Battesimo della Signora prima figliuola dell' Illustrissimo...Don Francesco Medici. <span>Firenze, Giunti, 1568. .  </span></h3>
                                    In-8&deg; (mm 164x98). 24 pagine. Legatura in mezza pelle blu, piatti in carta coillut&eacute;, dorso a quattro nervi con titolo impresso in oro. Esemplare in ottimo stato di conservazione
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/gli-heroici-di-gio-battista-pigna-a-donno-alfonso-da-este-ii-duca-di-ferrara-v" title="Gli Heroici di Gio. Battista Pigna, a Donno Alfonso da Este II. Duca di Ferrara V..."><div class="highlight">Se ne trovano copie in carta grande ed in carta turchina — S. Bongi</div>
                                    <h2>Pigna, Giovanni Battista (1529-1575).</h2>
                                    <h3>Gli Heroici di Gio. Battista Pigna, a Donno Alfonso da Este II. Duca di Ferrara V.... <span>Gabriele Giolito de' Ferrari,  1561.</span></h3>
                                    4&deg; (210x152 mm). Printed on blue paper. Collation: A-M4, N6, *4, **4. 105, [19] pages. Complete with fol. N6 blank. Roman and italic type. Woodcut printer's device on the title-page, a different device on fol. N5v. Woodcut animated initials, head- and tailpieces. Fol. L4v within woodcut architectural border. Nineteenth-century cardboards, covered with brown paper. Spine with...
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                                    <div class="tag price">&euro;    12.000 </div>
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                                 <figure class="col-md-4 gallery"><a href="http://www.philobiblon.org/typo3temp/pics/c55bea1d49.jpg" rel="lightbox[external8645-9 400 300]" target="@mediabox" class="lightbox" alt="" title=""><img src="http://www.philobiblon.org/typo3temp/pics/114ddab7ae.jpg" width="286" height="200" itemprop="image" alt="" /></a></figure>
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                                    <a href="http://www.philobiblon.org/letteratura/gli-heroici-di-gio-battista-pigna-a-donno-alfonso-da-este-ii-duca-di-ferrara-v-1" title="Gli Heroici di Gio. Battista Pigna, a Donno Alfonso da Este II. Duca di Ferrara V..."><div class="highlight">Se ne trovano copie in carta grande ed in carta turchina — S. Bongi</div>
                                    <h2>Pigna, Giovanni Battista (1529-1575).</h2>
                                    <h3>Gli Heroici di Gio. Battista Pigna, a Donno Alfonso da Este II. Duca di Ferrara V.... <span>Gabriele Giolito de' Ferrari,  1561.</span></h3>
                                    4&deg; (210x152 mm). Printed on blue paper. Collation: A-M4, N6, *4, **4. 105, [19] pages. Complete with fol. N6 blank. Roman and italic type. Woodcut printer's device on the title-page, a different device on fol. N5v. Woodcut animated initials, head- and tailpieces. Fol. L4v within woodcut architectural border. Nineteenth-century cardboards, covered with brown paper. Spine with...
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/prima-parte-di-architetture-e-prospettive-inventate-ed-incise-da-giambatista-piranesi-architetto-ven" title="Prima Parte di Architetture e Prospettive inventate ed incise da Giambatista Piranesi architetto veneziano, tra gli Arcadi Solcindio Tiseio. [Rome, late 1760s-early 1770s]. (bound with:) Idem. Antichità Romane de’ tempi della Repubblica, e de’ primi Imperatori, disegnate, ed incise da Giambattista Piranesi architetto veneziano: e dallo stesso dedicate all’Ill.mo e Rev.mo Sig. Monsig. Giovanni Bottari Cappellano segreto di N.S. Benedetto XIV. Uno de custodi della Biblioteca Vaticana, e canonico di S. Maria in Trastevere. Parte prima"><div class="highlight">At age twenty-three... he already had the talent of a genius — Robison</div>
                                    <h2>Piranesi, Giovanni Battista (1720-1778).</h2>
                                    <h3>Prima Parte di Architetture e Prospettive inventate ed incise da Giambatista Piranesi architetto veneziano, tra gli Arcadi Solcindio Tiseio. [Rome, late 1760s-early 1770s]. (bound with:) Idem. Antichità Romane de’ tempi della Repubblica, e de’ primi Imperatori, disegnate, ed incise da Giambattista Piranesi architetto veneziano: e dallo stesso dedicate all’Ill.mo e Rev.mo Sig. Monsig. Giovanni Bottari Cappellano segreto di N.S. Benedetto XIV. Uno de custodi della Biblioteca Vaticana, e canonico di S. Maria in Trastevere. Parte prima. <span>Roma, si vende dall’Auttore dirimpetto l’Accademia di Franzia, [1748, but late 1760s-early 1770s].  </span></h3>
                                    Two works in one volume, folio (330x465 mm). I. Seventeen etched plates. Watermarks: Robison 39 (late 1760s-early 1770s). II. Thirty etched plates (two titles, dedication to Giovanni Gaetano Bottari dated 20 July 1748, two plates of inscriptions and index, and twenty-five views). Watermarks: Robison nos. 17 and 36 (late 1760s-early 1770s). This copy also includes nine etchings...
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/il-decamerone-alla-sua-intera-perfettione-ridotto-et-con-dichiarationi-et-auuertimenti-illustrato-p" title="Il Decamerone... alla sua intera perfettione ridotto, et con dichiarationi et auuertimenti illustrato, per Girolamo Ruscelli..."><div class="highlight">The device of three interlaced crescents</div>
                                    <h2>Boccaccio, Giovanni (1313-1375).</h2>
                                    <h3>Il Decamerone... alla sua intera perfettione ridotto, et con dichiarationi et auuertimenti illustrato, per Girolamo Ruscelli.... <span>Vincenzo Valgrisi and Baldassare Costantini,  1557.</span></h3>
                                    Two parts in one volume, 4&deg; (219x167 mm). Collation: *4, A-Z8, AA-II8; a-g4 (fol. HH2 signed H2). [8], 496, [16]; [56] pages. Roman and italic type. Valgrisi's serpent device on both title-pages, and at the end. Each giornata introduced by a large woodcut (fols. A5v, D2v, H5v, L8v, O8v, R8v, T5v, Y2r, BB7r, DD6v). Numerous woodcut animated initials. Contemporary French calf,...
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                                    <div class="tag price">&euro;     9.500 </div>
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/la-theseide-innamoramento-piaceuole-honesto-di-due-giouani-thebani-arcita-palemone-dottaua-r" title="La Theseide... Innamoramento piaceuole, &amp; honesto di due Giouani Thebani Arcita &amp; Palemone; D’ottaua Rima nuouamente ridotta In Prosa per Nicolao Granucci di Lucca. Aggiuntoui un breve Dialogo nel principio e fine dell’Opera diliteuole, &amp; vario"><div class="highlight">A sixteenth-century Lucca edition printed on blue paper, from the Library of Guglielmo Libri</div>
                                    <h2>Boccaccio, Giovanni (1313-1375).</h2>
                                    <h3>La Theseide... Innamoramento piaceuole, & honesto di due Giouani Thebani Arcita & Palemone; D’ottaua Rima nuouamente ridotta In Prosa per Nicolao Granucci di Lucca. Aggiuntoui un breve Dialogo nel principio e fine dell’Opera diliteuole, & vario. <span>Vincenzo Busdraghi for Giulio Guidoboni,  1579.</span></h3>
                                    8o (154x100 mm). Printed on blue paper. Collation: a8, A-S8 (fol. F4 signed G4). 8, 144 leaves. Roman and italic type. Woodcut printer's device on the title-page. Woodcut decorated seven-line initials and headpieces. Fine Parisian red morocco over pasteboards, signed by Hippolyte Duru, and executed in 1847. Covers within double blind fillet. Spine with five small raised-bands,...
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                                    <div class="tag price">&euro;    18.000 </div>
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/concordantiae-poetarum-philosophorum-theologorum-opus-vere-aureum-quod-nunc-primum-in-lucem-prodij" title="Concordantiae Poetarum Philosophorum &amp;Theologorum... opus vere aureum, quod nunc primum in lucem prodijt ex antiquo exemplari Authoris..."><div class="highlight">Printed on blue paper</div>
                                    <h2>Calderia, Giovanni (1395-1474).</h2>
                                    <h3>Concordantiae Poetarum Philosophorum &Theologorum... opus vere aureum, quod nunc primum in lucem prodijt ex antiquo exemplari Authoris.... <span>Giuseppe Comino da Trino,  1547.</span></h3>
                                    8&deg; (150x93 mm). Printed on blue paper. Collation: *4, A-Z4, AA-YY4. [4], 179, [1] leaves. Roman and italic type. Woodcut printer's device on the title-page. Numerous woodcut animated initials. Early twentieth-century mottled calf, over pasteboards. Covers within two floral borders. Smooth spine divided into compartments with gilt fillet, gilt title on blue lettering-piece,...
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                                    <div class="tag price">&euro;     9.500 </div>
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                                    <a href="http://www.philobiblon.org/incunaboli-cinquecentine/concordantiae-poetarum-philosophorum-theologorum-opus-vere-aureum-quod-nunc-primum-in-lucem-prodij-1" title="Concordantiae Poetarum Philosophorum &amp;Theologorum... opus vere aureum, quod nunc primum in lucem prodijt ex antiquo exemplari Authoris..."><div class="highlight">Printed on blue paper</div>
                                    <h2>Calderia, Giovanni (1395-1474).</h2>
                                    <h3>Concordantiae Poetarum Philosophorum &Theologorum... opus vere aureum, quod nunc primum in lucem prodijt ex antiquo exemplari Authoris.... <span>Giuseppe Comino da Trino,  1547.</span></h3>
                                    8&deg; (150x93 mm). Printed on blue paper. Collation: *4, A-Z4, AA-YY4. [4], 179, [1] leaves. Roman and italic type. Woodcut printer's device on the title-page. Numerous woodcut animated initials. Early twentieth-century mottled calf, over pasteboards. Covers within two floral borders. Smooth spine divided into compartments with gilt fillet, gilt title on blue lettering-piece,...
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                                    <h2>Tiraboschi, Giovanni Carlo (1746-1818).</h2>
                                    <h3>La Famiglia Cavalcabò ossia Notizie storiche intorno alla medesima raccolte dal nobile signor conte d. Giovan Carlo Tiraboschi canonico prevosto della cattedrale di Cremona. <span>Cremona, Giuseppe Feraboli, 1814.  </span></h3>
                                    8&deg; (191x114 mm). Printed on blue paper. [4], 260 pages. Woodcut headpiece on page 1. Contemporary green morocco. Covers framed within gilt fillet and narrow frieze. Smooth spine, divided into compartments by double gilt fillet, and decorated with floral tools; title in gold on honey morocco lettering-piece. Board edges decorated with gilt diagonal fillets, marbled pastedowns and flyleaves,...
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/la-famiglia-cavalcabo-ossia-notizie-storiche-intorno-alla-medesima-raccolte-dal-nobile-signor-conte-1" title="La Famiglia Cavalcabò ossia Notizie storiche intorno alla medesima raccolte dal nobile signor conte d. Giovan Carlo Tiraboschi canonico prevosto della cattedrale di Cremona"><div class="highlight">Local family history</div>
                                    <h2>Tiraboschi, Giovanni Carlo (1746-1818).</h2>
                                    <h3>La Famiglia Cavalcabò ossia Notizie storiche intorno alla medesima raccolte dal nobile signor conte d. Giovan Carlo Tiraboschi canonico prevosto della cattedrale di Cremona. <span>Giuseppe Feraboli,  1814.</span></h3>
                                    8&deg; (191x114 mm). Printed on blue paper. [4], 260 pages. Woodcut headpiece on page 1. Contemporary green morocco. Covers framed within gilt fillet and narrow frieze. Smooth spine, divided into compartments by double gilt fillet, and decorated with floral tools; title in gold on honey morocco lettering-piece. Board edges decorated with gilt diagonal fillets, marbled pastedowns and flyleaves,...
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/rime-et-prose-con-le-concessioni-priuilegij-di-tutti-i-prencipi" title="Rime, et Prose... Con le Concessioni, &amp; Priuilegij di tutti i Prencipi"><div class="highlight">The first appearance in print of the Galateo</div>
                                    <h2>Della Casa, Giovanni (1503-1556).</h2>
                                    <h3>Rime, et Prose... Con le Concessioni, & Priuilegij di tutti i Prencipi. <span>Niccolò Bevilacqua for Erasmo Gemini,  October 1558.</span></h3>
                                    4&deg; (220x157 mm). Collation: a4, b2, A-X4, Y2. [12], 170, [2] pages. Roman type. Woodcut ornaments on the title-page. Woodcut animated initials, one blank space for capital on fol. A1r, with printed guide letter. Eighteenth-century vellum, over pasteboards. Smooth spine, title lettered in gilt. Edges speckled red. Minor wear to the upper portion of the spine. A wide-margined...
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                                    <a href="http://www.philobiblon.org/letteratura/trattato-di-meser-giovanni-della-casa-nel-quale-sotto-la-persona-d-un-vecchio-idiota-ammaestrante-un" title="Trattato di meser Giovanni Della Casa, nel quale sotto la persona d'un vecchio idiota ammaestrante un suo giovanetto si ragiona de modi, che si debbono o tenere, o schifare nella comune conversatione, cognominato Galatheo"><div class="highlight">The first book entirely devoted to good manners</div>
                                    <h2>Della Casa, Giovanni (1503-1556).</h2>
                                    <h3>Trattato di meser Giovanni Della Casa, nel quale sotto la persona d'un vecchio idiota ammaestrante un suo giovanetto si ragiona de modi, che si debbono o tenere, o schifare nella comune conversatione, cognominato Galatheo. <span>Milan, Valerio Meda and Brothers for Giovanni Antonio degli Antoni, 1559..  </span></h3>
                                    8&deg; (162x96 mm). Collation: A-E8, F4. 44 leaves. Italic and roman type. Woodcut printer's device on the title-page and at end. Woodcut decorated initials. Twentieth-century light brown leather, richly gilt tooled. Covers within concentric frames and one lozenge, at centre large fleuron. Spine with five raised bands, title in gilt lettering. Gilt edges. A fine copy.
$ 2,200
The first separate...
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                            'background': 'url(' + img + ') center center no-repeat',
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                            '-moz-background-size': 'cover',
                            '-o-background-size': 'cover',
                            'background-size': 'cover'
                        })
                        // set Custom Event for pagination item
                        .click(function () {
                            ocVideo.trigger('to.owl.carousel', i);
                        });

                });

                //$('#oc-video .owl-controls .owl-dots').addClass('hidden');
            } 

      
    });


    </script>
</body>
</html>