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                                 <figure class="col-md-4 gallery"><a href="http://www.philobiblon.org/typo3temp/pics/ea4b6a281e.jpg" rel="lightbox[external8172-9 400 300]" target="@mediabox" class="lightbox" alt="" title=""><img src="http://www.philobiblon.org/typo3temp/pics/26cb5795ec.jpg" width="126" height="200" itemprop="image" alt="" /></a></figure>
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/al-reuerendissimo-et-illustrissimo-signor-il-cardinal-di-trento-la-rapina-di-proserpina-di-liuio" title="Al reuerendissimo et illustrissimo signor il cardinal di Trento La rapina di Proserpina di Liuio"><div class="highlight">Outstanding copy on blue paper, from a sixteenth-century private press</div>
                                    <h2>[Claudianus, Claudius ca. 370-404] Sanuto, Livio (ca. 1520-1576).</h2>
                                    <h3>Al reuerendissimo et illustrissimo signor il cardinal di Trento La rapina di Proserpina di Liuio. <span>Venice, [Gabriele Giolito de’ Ferrari ?], 1551.  </span></h3>
                                    8&deg; (184x118 mm). Printed on blue paper. Collation: A-H8. [64] leaves. Complete with the last blank. Roman and italic type. Numerous large woodcut decorated initials. Handsome Roman eighteenth-century red morocco, over pasteboards. Covers framed within elaborated dentelle, at the centre, gilt-tooled coat of arms of the Doge Marco Foscarini. Spine with five raised bands,...
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                                    <div class="tag price">&euro;    38.000 </div>
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                                    <a href="http://www.philobiblon.org/incunaboli-cinquecentine/e-galeni-librorum-pars-prima-pars-quinta" title="Γαληνοῦ Α´-E´. Galeni Librorum pars prima-pars quinta."><div class="highlight"></div>
                                    <h2>Claudius Galenus.</h2>
                                    <h3>Γαληνοῦ Α´-E´. Galeni Librorum pars prima-pars quinta.. <span>Venezia, eredi di Aldo Manuzio e Andrea Torresano, aprile-agosto 1525..  </span></h3>
                                    Un&rsquo;opera in cinque volumi in folio (mm 314-318&times;218-224). I. Segnatura: [*]4, A&alpha;-&Gamma;&gamma;8; a-e8, f4, g-l8, m4, n-o8, p10, q4, r-x8, y10, z8, &amp;6; A-L8, M12, N8 (bianche le carte f4, &amp;6; impresse al solo recto le carte [*]1, [*]4, &Gamma;&gamma;4, a8, m4, M12). Quattro carte non numerate, 24 carte numerate, 181 carte (mal numerate 180), una carta bianca; 108 carte...
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                                    <h2>Claudius Ptolemaeus.</h2>
                                    <h3>La Geografia di Claudio Ptolomeo alessandrino, con alcuni comenti & aggiunte fattevi da Sebastiano munstero Alamanno. <span>Venezia, Giovan Battista Pederzano, 1548..  </span></h3>
                                    In-8&deg; (mm 166x109). 8 carte non numerate, 214 numerate, due non numerate (di cui la seconda bianca); 60 carte geografiche su doppia pagina, 64 carte non numerate. Frontespizio entro bordura silografica, alla carta 2r un ritratto inciso in legno di Tolomeo che tiene un astrolabio nella mano guardando le stelle; diagrammi silografici e iniziali silografiche. Illustrato da 60 mappe incise in...
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/cosmographia-tr-jacobus-angelus-ed-angelus-vadius-and-barnabas-picardus-1" title="Cosmographia. Tr: Jacobus Angelus. Ed: Angelus Vadius and Barnabas Picardus"><div class="highlight">A Landmark of Geographical Knowledge</div>
                                    <h2>Ptolemaeus, Claudius (ca. 100-168).</h2>
                                    <h3>Cosmographia. Tr: Jacobus Angelus. Ed: Angelus Vadius and Barnabas Picardus. <span>Hermann Liechtenstein,  13 September 1475.</span></h3>
                                    Folio (304x205 mm). Collation: aa10, bb8-1, a10, b-g8, h10, A-F8, G10. 142 of [143] leaves, lacking fol. aa1 blank. Text in one column, 39 lines. Type: 102R. Finely painted initials alternately in red or blue, the one on fol. aa8v with extension. Seven-line blank space on fol. aa1r. Rubricated in red and blue, the capital letters touched with yellow. Four woodcut diagrams on fols....
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                                    <div class="tag price">&euro;   420.000 </div>
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/album-with-representations-of-italian-mainly-venetian-costumes-and-characters-from-the-commedia-dell-1" title="Album with representations of Italian, mainly Venetian, costumes and characters"><div class="highlight">A fascinating mirror of Italian society at the beginning of the Seicento</div>
                                    <h2>[Commedia dell’Arte].</h2>
                                    <h3>Album with representations of Italian, mainly Venetian, costumes and characters. <span>Illuminated manuscript on parchment. Italy (Venice ?), first quarter of the seventeenth century.  </span></h3>
                                    125-127 x 190-195 mm (oblong). [22] single leaves mounted on paper guards, compensation guards added at regular intervals. Foliation in pencil, corresponding neither to the number of leaves nor their respective position within the album. Twenty-two miniatures in full colour with occasional use of gold and silver. One miniature with a paper flap (fol. 7). Headings written in gold,...
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                                    <div class="tag price">&euro;    38.000 </div>
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/compagnia-ovvero-confraternita-del-psalterio-ovvero-rosario-della-gloriosissima-vergine-maria-ordina" title="Compagnia ovvero Confraternita del Psalterio ovvero Rosario della gloriosissima Vergine Maria. Ordinazioni, istitutioni, capitoli, regole, privilegii ed indulgentie"><div class="highlight">A very rare illustrated Libro da Compagnia</div>
                                    <h2>Confraternity Rosary, Florence.</h2>
                                    <h3>Compagnia ovvero Confraternita del Psalterio ovvero Rosario della gloriosissima Vergine Maria. Ordinazioni, istitutioni, capitoli, regole, privilegii ed indulgentie. <span>[Florence, Antonio di Bartolomeo Miscomini, after 4 May 1485].  </span></h3>
                                    4&deg; (250x136 mm). Collation: a12. [12] leaves. Text in one column, 25 lines. Type: 112R. Title on fol. a2r printed in red. Headings, initial letters and section marks printed in red throughout. On fol. a1v large woodcut within octagonal border, containing a rose garland framing a crown and a rosary with the letters 'rsm', at the bottom the inscription 'Questo e el segno della...
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                                    <div class="tag price">&euro;    24.000 </div>
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/nuovi-ritrovamenti-divisi-in-due-parti-con-tre-tavole-in-lingua-latina-francese-ollandese-parte-p" title="Nuovi ritrovamenti divisi in due parti con trè Tavole in lingua Latina, Francese, &amp; Ollandese. Parte prima. Delli ordegni per cavar pali. Armature della calamita. Del modo di levare i sassi sott’acqua, e trovar la lega dell’oro, e dell’argento... Rome, Giovanni Giacomo Komarek, 1696. (bound with:) Idem. Alla Santità di N.S. Papa Innocentio XI. Beatissimo Padre. [Rome, Giacomo Antonio de Lazzeri Varese, 1679]. (bound with:) Idem. Nuovi ritrovamenti dati in luce dall’Ingegneiro [sic] Cornelio Meyer per eccitare l’ingegno de’ virtuosi ad aumentarli, ò aggiungervi maggior perfettione... Rome, Giovanni Giacomo Komarek, 1689. (together with:) Idem. L’Arte di restituire à Roma la tralasciata Navigatione del suo Tevere. Divisa in tre parti..."><div class="highlight">Ex dono Auctoris</div>
                                    <h2>Meyer, Cornelius (1629-1701).</h2>
                                    <h3>Nuovi ritrovamenti divisi in due parti con trè Tavole in lingua Latina, Francese, & Ollandese. Parte prima. Delli ordegni per cavar pali. Armature della calamita. Del modo di levare i sassi sott’acqua, e trovar la lega dell’oro, e dell’argento... Rome, Giovanni Giacomo Komarek, 1696. (bound with:) Idem. Alla Santità di N.S. Papa Innocentio XI. Beatissimo Padre. [Rome, Giacomo Antonio de Lazzeri Varese, 1679]. (bound with:) Idem. Nuovi ritrovamenti dati in luce dall’Ingegneiro [sic] Cornelio Meyer per eccitare l’ingegno de’ virtuosi ad aumentarli, ò aggiungervi maggior perfettione... Rome, Giovanni Giacomo Komarek, 1689. (together with:) Idem. L’Arte di restituire à Roma la tralasciata Navigatione del suo Tevere. Divisa in tre parti.... <span>Giacomo Antonio de Lazzari Varese,  1685.</span></h3>
                                    Two volumes containing four works, in near uniform bindings.
First volume. Three works bound together, folio (411x261 mm). I. [28] unsigned leaves, including title-page with a large engraved vignette showing a dragon with the caption 'Drago come viveva il primo di Decembre 1691 nelle paludi fuori di Roma'; dedication to the Grand Duke of Tuscany Cosimo III dated Rome, 22...
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                                    <h2>Dante Alighieri.</h2>
                                    <h3>Le terze rime di Dante. <span>[Lyon, Balthazar de Gabiano e Barthelemy Troth, c. 1502]..  </span></h3>
                                    In-8&deg; (161x90 mm), [244] carte, inclusa la bianca l2. IMPRESSO SU PERGAMENA. Legatura in marocchino verde di Emilio Brugalla, datata 1947, piatti riccamente decorati da ferri dorati, dorso a cinque nervi con titolo impresso in oro e compartimenti ornati da ferri dorati; dentelles interne, tagli dorati. Contropiatti in seta rossa, sguardie in pergamena e seta rossa. Esemplare...
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                                    <a href="http://www.philobiblon.org/incunaboli-cinquecentine/le-terze-rime-di-dante-1" title="Le terze rime di Dante"><div class="highlight"></div>
                                    <h2>Dante Alighieri.</h2>
                                    <h3>Le terze rime di Dante. <span>Venezia,Aldo Manuzio, agosto 1502..  </span></h3>
                                    In-8&deg; (mm 150x91). 244 carte non numerate, di cui una bianca (l2). Legatura tardo-settecentesca in marocchino nocciola, decorata da una cornice dorata a tre filetti con &ndash; al piatto superiore &ndash; il nome &lsquo;Caifsottil&rsquo; impresso in oro; dorso ornato da ferri floreali dorati e titolo in oro, sguardie in carta marmorizzata, segnalibro in seta verde, tagli marmorizza- ti...
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/dante-col-sito-et-forma-dellinferno" title="Dante col sito, et forma dell’Inferno"><div class="highlight">The Dantino Paganini’s ‘long 24mo’ format</div>
                                    <h2>Alighieri, Dante (1265-1321).</h2>
                                    <h3>Dante col sito, et forma dell’Inferno. <span>[Venice, Alessandro Paganini, ca. 1516].  </span></h3>
                                    24&deg; (95x47 mm). Collation: A-X8, AA-DD8, EE4. 202, [2] leaves. Italic and gothic type. Blank spaces for capitals at the beginning of each cantica. One double-page woodcut plan of Hell (fols. EE2v-EE3r), three full-page woodcut diagrams of categories of sins punished in Hell (fols. EE3v-EE4r), and in Purgatory (fol. EE4v). Early nineteenth-century three-quarter green morocco,...
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                                    <div class="tag price">&euro;    18.000 </div>
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/la-comedia-di-dante-aligieri-con-la-nova-espositione-di-alessandro-vellutello-1" title="La Comedia di Dante Aligieri con la nova espositione di Alessandro Vellutello..."><div class="highlight">The Marcolini Commedia that belonged to Marcus Fugger, with Dante’s portrait by Stimmer as an unrecorded single sheet</div>
                                    <h2>Alighieri, Dante (1265-1321).</h2>
                                    <h3>La Comedia di Dante Aligieri con la nova espositione di Alessandro Vellutello.... <span>Francesco Marcolini,  June 1544.</span></h3>
                                    4&deg; (236x153 mm). Collation: AA-BB8, CC10, A-Z8, AB-AZ8, BC-BI8. [442] leaves. Italic and roman type. Three full-page woodcuts at the beginning of each cantica; eighty-four woodcut vignettes in the text. An extra leaf, not present in the volume when it was originally issued, is bound here before the title-page; it bears the woodcut portrait of Dante from the Elogia virorum...
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                                    <div class="tag price">&euro;    25.000 </div>
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                                    <h2>Dante.</h2>
                                    <h3>Hölle, deutsch von L. Zuckermandel. Zweite neu bearbeitete Auflage. <span>Strassburg, Heitz, 1925 ca..  </span></h3>
                                    In-8&deg;. Pagine 206. Brossura editoriale figurata, titoli in nero al dorso e al piatto anteriore. Buon esemplare.
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                                    <div class="tag price">&euro;        50 </div>
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                                    <a href="http://www.philobiblon.org/letteratura/il-codice-cassinese-della-divina-commedia-per-la-prima-volta-letteralmente-messo-a-stampa-per-i-cura" title="Il codice cassinese della Divina Commedia, per la prima volta letteralmente messo a stampa per i cura dei monaci benedettini della badia di Montecassino"><div class="highlight"></div>
                                    <h2>Dante.</h2>
                                    <h3>Il codice cassinese della Divina Commedia, per la prima volta letteralmente messo a stampa per i cura dei monaci benedettini della badia di Montecassino. <span>Montecassino, Tipografia di Montecassino, 1865.  </span></h3>
                                    In-folio. Pagine LV, 592, [2]. VII tavole a colori, facsimili del codice cassinese, di cui una applicata, legatura in mezzo marocchino e angoli, titoli e filettature in oro su dorso a nervi, coperte originali conservate, ritratto di Dante in antiporta da un dipinto di Scipione Pulzone da Gaeta, conservato a Montecassino. Esemplare fresco, privo di difetti.
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                                    <div class="tag price">&euro;       550 </div>
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/le-terze-rime-di-dante-con-sito-et-forma-de-lo-inferno-novamente-in-restampito" title="Le terze rime di Dante con sito, et forma de lo Inferno novamente in restampito"><div class="highlight">The first illustrated Aldine Dante counterfeited by a Venetian printer</div>
                                    <h2>Alighieri, Dante (1265-1321).</h2>
                                    <h3>Le terze rime di Dante con sito, et forma de lo Inferno novamente in restampito. <span>[Venice, Gregorio de’ Gregori, after August 1515].  </span></h3>
                                    8&deg; (156x97 mm). Collation: [&pi;]2, a-z8, A-H8. 248 of [250] leaves, wanting fols. H7 and H8 blanks, but including the blank l2, often lacking. Italic and roman type. Blank spaces for capitals, with printed guide letters, at the beginning of each cantica. One double-page woodcut depicting the Sito et forma della valle inferna (fols. H4v-H5r), two full-page woodcut diagrams...
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                                    <div class="tag price">&euro;    14.500 </div>
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/sonetti-e-canzoni-di-diuersi-antichi-autori-toscani-in-dieci-libri-raccolte-di-dante-alaghieri-li" title="Sonetti e’ Canzoni di diuersi antichi Autori Toscani in dieci libri raccolte. Di Dante Alaghieri Libri quattro. Di M. Cino da Pistoia Libro uno. Di Guido Cavalcanti Libro uno. Di Dante da Maiano Libro uno. Di Fra Guittone d’Arezzo Libro uno. Di diuerse Canzoni e’ Sonetti senza nome d’autore Libro uno"><div class="highlight">The Dolce Stil Novo manifesto</div>
                                    <h2>Alighieri, Dante (1265-1321).</h2>
                                    <h3>Sonetti e’ Canzoni di diuersi antichi Autori Toscani in dieci libri raccolte. Di Dante Alaghieri Libri quattro. Di M. Cino da Pistoia Libro uno. Di Guido Cavalcanti Libro uno. Di Dante da Maiano Libro uno. Di Fra Guittone d’Arezzo Libro uno. Di diuerse Canzoni e’ Sonetti senza nome d’autore Libro uno. <span>Filippo Giunta's heirs,  6 July 1527.</span></h3>
                                    8&deg; (160x100 mm). Collation: AA4, a-s8, t4. [4], 148 leaves. Italic and roman type. Woodcut printer's device on the title-page and on the verso of the last leaf. Nineteenth-century half-vellum, marbled covers. Spine with title in gilt on red morocco lettering-piece. Red silk bookmark. A very good copy, a few small stains to fols. AA4 and a1. Light foxing in places.
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                                    <div class="tag price">&euro;    11.000 </div>
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/dante-de-la-vlgare-elquenzia-vicenza-tolomeo-gianicolo-january-1529-bound-with-gian-giorgio-t" title="Dante. De la Vωlgare Elωquenzia... Vicenza, Tolomeo Gianicolo, January 1529. (bound with:) Gian Giorgio Trissino (1478-1550). Dialωgω... intitulato il Castellanω, nel quale si tratta de la lingua italiana. [Vicenza, Tolomeo Gianicolo, 1529]. (bound with:) Ιdem. Epistola... de le lettere nuωvamente aggiunte ne la lingua italiana... Vicenza, Tolomeo Gianicolo, February 1529. (uniformly bound with:) Ιdem. La Pωetica di M. Giωvan Giorgiω Trissinω"><div class="highlight">From Βenedetto Varchi’s and Gian Giacomo Trivulzio’s libraries</div>
                                    <h2>Alighieri, Dante (1265-1321).</h2>
                                    <h3>Dante. De la Vωlgare Elωquenzia... Vicenza, Tolomeo Gianicolo, January 1529. (bound with:) Gian Giorgio Trissino (1478-1550). Dialωgω... intitulato il Castellanω, nel quale si tratta de la lingua italiana. [Vicenza, Tolomeo Gianicolo, 1529]. (bound with:) Ιdem. Epistola... de le lettere nuωvamente aggiunte ne la lingua italiana... Vicenza, Tolomeo Gianicolo, February 1529. (uniformly bound with:) Ιdem. La Pωetica di M. Giωvan Giorgiω Trissinω. <span>Tolomeo Gianicolo,  April 1529.</span></h3>
                                    Four works uniformly bound in two volumes, large 4&deg; and small folio (278x166 mm). First volume: three works. I. Collation: a-b8, c6, d4. [26] leaves. Italic, Greek, and roman type. II. A-B8, C4. [20] leaves. Italic, Greek, and roman type. III. Collation: A4, aa-bb4, cc6. [17], [1] leaves. Italic, Greek, and roman type. Woodcut printer's device on each title page. Blank spaces...
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                                    <div class="tag price">&euro;    15.000 </div>
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/la-divina-comedia-di-dante-di-nuovo-alla-sua-vera-lettione-ridotta-con-lo-aiuto-di-molti-antichissim-1" title="La Divina Comedia di Dante, di nuovo alla sua vera lettione ridotta con lo aiuto di molti antichissimi esemplari..."><div class="highlight">... and printed on blue paper</div>
                                    <h2>Alighieri, Dante (1265-1321).</h2>
                                    <h3>La Divina Comedia di Dante, di nuovo alla sua vera lettione ridotta con lo aiuto di molti antichissimi esemplari.... <span>Gabriel Giolito de' Ferrari and Brothers,  1554 - 1555.</span></h3>
                                    12&deg; (136x72 mm). Printed on blue paper. Collation: *12, **6, A-Z12, AA-BB12. [36], 598, [2] pages. Italic and roman type. On the title-page and on the verso of the last leaf woodcut printer's device. Woodcut medallion portrait of Dante on fol. *3v; twelve woodcuts in text, mostly smaller copies of the woodcuts in the Marcolini edition of 1544. Woodcut initials and headpieces....
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                                    <div class="tag price">&euro;     4.800 </div>
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/la-comedia-di-dante-alighieri-con-la-nova-esposizione-di-alessandro-vellutello" title="La Comedia di Dante Alighieri con la nova esposizione di Alessandro Vellutello..."><div class="highlight">Rampazetto’s re-issue of the Marcolini Commedia, unrecorded in the Dante bibliography</div>
                                    <h2>Dante, Alighieri (1265-1321).</h2>
                                    <h3>La Comedia di Dante Alighieri con la nova esposizione di Alessandro Vellutello.... <span>Venice, Francesco Rampazetto, 1564 [at the end: Francesco Marcolini for Alessandro Vellutello, 1544].  </span></h3>
                                    4&deg; (223x150 mm). Collation: AA-BB8, CC10, A-Z8, AB-AZ8, BC-BH8, BI8. 441 of [442] leaves, lacking only the last blank leaf, BI8. In this copy, fols. F3-F6, and AY3-AY6 are misbound. Roman and italic type. Rampazetto's woodcut device and headpiece on the title-page. Marcolini's colophon, dated 1544, on the recto of fol. BI7. Three full-page and eighty-four smaller woodcuts....
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                                    <div class="tag price">&euro;    32.000 </div>
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/la-diuina-comedia-di-dante-con-gli-argomenti-allegorie-per-ogni-canto-e-due-indici-uno-di-tutti-i" title="La Diuina Comedia di Dante, Con gli Argomenti, &amp; Allegorie per ogni Canto. E due Indici, uno di tutti i vocaboli più importanti usati dal Poeta... E l’altro delle cose più notabili"><div class="highlight">The last seventeenth-century Commedia</div>
                                    <h2>Alighieri, Dante (1265-1321).</h2>
                                    <h3>La Diuina Comedia di Dante, Con gli Argomenti, & Allegorie per ogni Canto. E due Indici, uno di tutti i vocaboli più importanti usati dal Poeta... E l’altro delle cose più notabili. <span>Niccolò Misserini,  1629.</span></h3>
                                    24&deg; (95x50 mm). Collation: A-X12, Y6, *12. [6], 510, [24] pages; numerous leaves misbound, but complete. Roman and italic type. Title-page framed within a woodcut border containing Dante's portrait in the upper panel and the printer's device in the lower one. Fine contemporary binding &agrave; la Du Seuil, red morocco tooled in gold over pasteboards. Covers framed by two...
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                                    <div class="tag price">&euro;     4.500 </div>
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                                    <a href="http://www.philobiblon.org/incunaboli-cinquecentine/habes-lector-demosthenis-graeco" title="Δημοσθένους Λόγοι δύο καὶ ἑξήκοντα. Habes Lector Demosthenis Graecorum oratorum omnium facile principis orationes duas &amp; sexaginta, &amp; in easdem Ulpiani comment"><div class="highlight"></div>
                                    <h2>Demosthenes.</h2>
                                    <h3>Δημοσθένους Λόγοι δύο καὶ ἑξήκοντα. Habes Lector Demosthenis Graecorum oratorum omnium facile principis orationes duas & sexaginta, & in easdem Ulpiani comment. <span>Basel, Johannes Herwagen, settembre 1532.  </span></h3>
                                    In-folio (mm 325&times;215). Segnatura: a-b6, &alpha;-&omega;6, A-T6, &Upsilon;8 (segnature in alfabeto greco), aa-qq6, rr8, ss-xx6, yy4. Dodici carte non numerate, 532 pagine, 207 pagine (l&rsquo;ultima pagina mal numerata 507), 28 carte non numerate. Carattere greco e romano. Testo in greco; in latino intitolazioni e note tipografiche al frontespizio, lettera dedicatoria di Erasmo da Rotterdam...
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/paraphrases-in-omnes-epistolas-pauli-germanas-in-omnes-canonicas" title="Paraphrases in omnes epistolas Pauli germanas, &amp; in omnes Canonicas"><div class="highlight">A well-preserved wallet binding</div>
                                    <h2>Erasmus, Desiderius (1466-1536).</h2>
                                    <h3>Paraphrases in omnes epistolas Pauli germanas, & in omnes Canonicas. <span>Johann Froben,  March 1521.</span></h3>
                                    Four parts in one volume, 8&deg; (168x114 mm). Collation: a-z8, aa-mm8; nn-tt8; A-L8, M10; N-Q8, R10. 473 of [474] leaves, lacking the last blank leaf. Roman and italic type. Each title within a fine woodcut border; the first, second and third border also including Froben's printer's device. Woodcut section borders on fols. a6v, l7r, t7v, dd7v, gg7r, ii6r, ll3v, nn5r, ss3v, tt5r,...
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                                    <div class="tag price">&euro;    27.000 </div>
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/chronicon-venetum-omnium-quae-circumferuntur-vetustissimum-et-johanni-sagornino-vulgo-tributum-e-mss" title="Chronicon Venetum omnium quae circumferuntur vetustissimum et Johanni Sagornino vulgo tributum e Mss. codice Apostoli Zeno V.Cl. nunc primum Cum Mss. Codicibus Vaticanis collatum, Notisque illustratum in lucem profert. H. Fr. Zanetti Al. F"><div class="highlight"></div>
                                    <h2>Ioannes, Diaconus (ca. 965-1018).</h2>
                                    <h3>Chronicon Venetum omnium quae circumferuntur vetustissimum et Johanni Sagornino vulgo tributum e Mss. codice Apostoli Zeno V.Cl. nunc primum Cum Mss. Codicibus Vaticanis collatum, Notisque illustratum in lucem profert. H. Fr. Zanetti Al. F. <span>Venice, 1765.  </span></h3>
                                    Small 4&deg; (218x131 mm). Printed on blue paper. XIX, [1], 131, [1] pages. Woodcut headpiece and decorated initial on fol. A2r. Fine contemporary, possibly French, red straight-grain morocco, over pasteboards. Covers within triple gilt fillet. Spine with five small raised bands, compartments decorated in gilt with diagonal of dotted fillets, small floral tools, and dots. Title in...
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                                    <div class="tag price">&euro;     7.800 </div>
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                                    <h2>Didymos Chalcenteros.</h2>
                                    <h3>Σχόλια παλαιὰ τῶν πάνυ δοκίμων εἰς τὴν Ὁμήρου Ἰλιάδα.. <span>Roma, Tipografia del Collegio Mediceo per Angelo Colocci, 1517..  </span></h3>
                                    In-folio piccolo (mm 266&times;198). STAMPATO SU PERGAMENA. Segnatura: &alpha;-&zeta;8, &eta;10, &theta;-&upsilon;8, &phi;10. 172 carte non numerate. Carattere greco e romano. Testo in greco; in latino l&rsquo;indirizzo al lettore al recto della carta &alpha;1, e il privilegio di Leone X alla carta &phi;10r. Colophon in greco alla c. &phi;10r. Spazi bianchi per iniziali, con letterina guida....
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/antiquitates-romanae" title="Antiquitates Romanae"><div class="highlight">From the library of Benedetto Varchi</div>
                                    <h2>Dionysius Halicarnaseus (ca. 60–after 7 BC).</h2>
                                    <h3>Antiquitates Romanae. <span>Bernardinus Celerius,  24 or 25 February 1480.</span></h3>
                                    Folio (289x196 mm). Collation: [110, 2-78, 8-96, 10&ndash;238, 24-378, 386]. [300] leaves, complete with the final blank. Text in one column, 37 lines. Type: 1:113R. Blank spaces for capitals, with no guide letters. Early nineteenth-century vellum over pasteboards. Smooth spine attractively gilt tooled, title and imprint in gilt on double lettering-piece. A good copy, marginal soiling and...
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                                    <div class="tag price">&euro;    19.000 </div>
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/la-forza-della-virtu-drama-per-musica-da-rappresentarsi-nel-teatro-malvezzi-lanno-m-dc-xciv-dedi" title="La forza della virtu drama per musica da rappresentarsi nel Teatro Malvezzi l’anno m.dc.xciv... Dedicato all’Eminentissimo, e Reverendissimo Sig. Cardinale Marcello Durazzo Legato di Bologna..."><div class="highlight">The new multipoint perspective scenery</div>
                                    <h2>David, Domenico (d. 1698).</h2>
                                    <h3>La forza della virtu drama per musica da rappresentarsi nel Teatro Malvezzi l’anno m.dc.xciv... Dedicato all’Eminentissimo, e Reverendissimo Sig. Cardinale Marcello Durazzo Legato di Bologna.... <span>Antonio Pisarri's heirs,  1694.</span></h3>
                                    4&deg; (199x137 mm). Collation: A8, B-H4, I6. 82 pages, lacking the last blank leaf. Roman and italic type. Twelve folding etchings, engraved by Carlo Antonio Buffagnotti after Marco Antonio Chiarini; each plate signed by artist and engraver, and with caption titles. Rebound in cardboards covered with a beautiful eighteenth-century gilt-blocked floral paper. Marbled edges. A good...
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                                    <div class="tag price">&euro;    12.500 </div>
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