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                                    <h2>Dante.</h2>
                                    <h3>Hölle, deutsch von L. Zuckermandel. Zweite neu bearbeitete Auflage. <span>Strassburg, Heitz, 1925 ca..  </span></h3>
                                    In-8&deg;. Pagine 206. Brossura editoriale figurata, titoli in nero al dorso e al piatto anteriore. Buon esemplare.
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                                    <h2>Dante.</h2>
                                    <h3>Il codice cassinese della Divina Commedia, per la prima volta letteralmente messo a stampa per i cura dei monaci benedettini della badia di Montecassino. <span>Montecassino, Tipografia di Montecassino, 1865.  </span></h3>
                                    In-folio. Pagine LV, 592, [2]. VII tavole a colori, facsimili del codice cassinese, di cui una applicata, legatura in mezzo marocchino e angoli, titoli e filettature in oro su dorso a nervi, coperte originali conservate, ritratto di Dante in antiporta da un dipinto di Scipione Pulzone da Gaeta, conservato a Montecassino. Esemplare fresco, privo di difetti.
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                                                  <a data-toggle="modal" data-target=".bs-example-modal-lg" class="form" mac-lotto="" mac-title="Il codice cassinese della Divina Commedia, per la prima volta letteralmente messo a stampa per i cura dei monaci benedettini della badia di Montecassino" mac-url="http://www.philobiblon.org/letteratura/il-codice-cassinese-della-divina-commedia-per-la-prima-volta-letteralmente-messo-a-stampa-per-i-cura">
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/le-terze-rime-di-dante-con-sito-et-forma-de-lo-inferno-novamente-in-restampito" title="Le terze rime di Dante con sito, et forma de lo Inferno novamente in restampito"><div class="highlight">The first illustrated Aldine Dante counterfeited by a Venetian printer</div>
                                    <h2>Alighieri, Dante (1265-1321).</h2>
                                    <h3>Le terze rime di Dante con sito, et forma de lo Inferno novamente in restampito. <span>[Venice, Gregorio de’ Gregori, after August 1515].  </span></h3>
                                    8&deg; (156x97 mm). Collation: [&pi;]2, a-z8, A-H8. 248 of [250] leaves, wanting fols. H7 and H8 blanks, but including the blank l2, often lacking. Italic and roman type. Blank spaces for capitals, with printed guide letters, at the beginning of each cantica. One double-page woodcut depicting the Sito et forma della valle inferna (fols. H4v-H5r), two full-page woodcut diagrams...
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                                    <div class="tag price">&euro;    14.500 </div>
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/sonetti-e-canzoni-di-diuersi-antichi-autori-toscani-in-dieci-libri-raccolte-di-dante-alaghieri-li" title="Sonetti e’ Canzoni di diuersi antichi Autori Toscani in dieci libri raccolte. Di Dante Alaghieri Libri quattro. Di M. Cino da Pistoia Libro uno. Di Guido Cavalcanti Libro uno. Di Dante da Maiano Libro uno. Di Fra Guittone d’Arezzo Libro uno. Di diuerse Canzoni e’ Sonetti senza nome d’autore Libro uno"><div class="highlight">The Dolce Stil Novo manifesto</div>
                                    <h2>Alighieri, Dante (1265-1321).</h2>
                                    <h3>Sonetti e’ Canzoni di diuersi antichi Autori Toscani in dieci libri raccolte. Di Dante Alaghieri Libri quattro. Di M. Cino da Pistoia Libro uno. Di Guido Cavalcanti Libro uno. Di Dante da Maiano Libro uno. Di Fra Guittone d’Arezzo Libro uno. Di diuerse Canzoni e’ Sonetti senza nome d’autore Libro uno. <span>Filippo Giunta's heirs,  6 July 1527.</span></h3>
                                    8&deg; (160x100 mm). Collation: AA4, a-s8, t4. [4], 148 leaves. Italic and roman type. Woodcut printer's device on the title-page and on the verso of the last leaf. Nineteenth-century half-vellum, marbled covers. Spine with title in gilt on red morocco lettering-piece. Red silk bookmark. A very good copy, a few small stains to fols. AA4 and a1. Light foxing in places.
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                                    <div class="tag price">&euro;    11.000 </div>
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/la-diuina-comedia-di-dante-con-gli-argomenti-allegorie-per-ogni-canto-e-due-indici-uno-di-tutti-i" title="La Diuina Comedia di Dante, Con gli Argomenti, &amp; Allegorie per ogni Canto. E due Indici, uno di tutti i vocaboli più importanti usati dal Poeta... E l’altro delle cose più notabili"><div class="highlight">The last seventeenth-century Commedia</div>
                                    <h2>Alighieri, Dante (1265-1321).</h2>
                                    <h3>La Diuina Comedia di Dante, Con gli Argomenti, & Allegorie per ogni Canto. E due Indici, uno di tutti i vocaboli più importanti usati dal Poeta... E l’altro delle cose più notabili. <span>Niccolò Misserini,  1629.</span></h3>
                                    24&deg; (95x50 mm). Collation: A-X12, Y6, *12. [6], 510, [24] pages; numerous leaves misbound, but complete. Roman and italic type. Title-page framed within a woodcut border containing Dante's portrait in the upper panel and the printer's device in the lower one. Fine contemporary binding &agrave; la Du Seuil, red morocco tooled in gold over pasteboards. Covers framed by two...
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                                    <div class="tag price">&euro;     4.500 </div>
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/la-divina-commedia-di-dante-alighieri-con-varie-annotazioni-e-copiosirami-adornata-tomo-primo-ter" title="La Divina Commedia di Dante Alighieri Con varie Annotazioni, e copiosi Rami adornata... Tomo Primo [- Terzo]"><div class="highlight">First edition of Dante's collected works, printed on large thick paper</div>
                                    <h2>Alighieri, Dante (1265-1321). .</h2>
                                    <h3>La Divina Commedia di Dante Alighieri Con varie Annotazioni, e copiosi Rami adornata... Tomo Primo [- Terzo] . <span>Venice, Antonio Zatta, 1757.  </span></h3>
                                    [Together with:] Idem. Prose, erime liriche edite, ed inedite di Dante Alighieri, con copiose ed erudite aggiunte... Tomo Quarto Parte Prima [- Seconda]. Venice, Antonio Zatta, 1758.
Five volumes in large 4&deg; (330x240 mm). I. [16], XLVIII, CCCCIV pages. II. CCCCXIII, [3] pages. III. CCCCLII, [4], 103, [1] pages. IV. xii, 408 pages. V. [4], LXXXIV, [2], 264 pages (in this copy the second part...
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                                    <div class="tag price">&euro;    11.000 </div>
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                                    <a href="http://www.philobiblon.org/incunaboli-cinquecentine/habes-lector-demosthenis-graeco" title="Δημοσθένους Λόγοι δύο καὶ ἑξήκοντα. Habes Lector Demosthenis Graecorum oratorum omnium facile principis orationes duas &amp; sexaginta, &amp; in easdem Ulpiani comment"><div class="highlight"></div>
                                    <h2>Demosthenes.</h2>
                                    <h3>Δημοσθένους Λόγοι δύο καὶ ἑξήκοντα. Habes Lector Demosthenis Graecorum oratorum omnium facile principis orationes duas & sexaginta, & in easdem Ulpiani comment. <span>Basel, Johannes Herwagen, settembre 1532.  </span></h3>
                                    In-folio (mm 325&times;215). Segnatura: a-b6, &alpha;-&omega;6, A-T6, &Upsilon;8 (segnature in alfabeto greco), aa-qq6, rr8, ss-xx6, yy4. Dodici carte non numerate, 532 pagine, 207 pagine (l&rsquo;ultima pagina mal numerata 507), 28 carte non numerate. Carattere greco e romano. Testo in greco; in latino intitolazioni e note tipografiche al frontespizio, lettera dedicatoria di Erasmo da Rotterdam...
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/paraphrases-in-omnes-epistolas-pauli-germanas-in-omnes-canonicas" title="Paraphrases in omnes epistolas Pauli germanas, &amp; in omnes Canonicas"><div class="highlight">A well-preserved wallet binding</div>
                                    <h2>Erasmus, Desiderius (1466-1536).</h2>
                                    <h3>Paraphrases in omnes epistolas Pauli germanas, & in omnes Canonicas. <span>Johann Froben,  March 1521.</span></h3>
                                    Four parts in one volume, 8&deg; (168x114 mm). Collation: a-z8, aa-mm8; nn-tt8; A-L8, M10; N-Q8, R10. 473 of [474] leaves, lacking the last blank leaf. Roman and italic type. Each title within a fine woodcut border; the first, second and third border also including Froben's printer's device. Woodcut section borders on fols. a6v, l7r, t7v, dd7v, gg7r, ii6r, ll3v, nn5r, ss3v, tt5r,...
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                                    <div class="tag price">&euro;    27.000 </div>
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/chronicon-venetum-omnium-quae-circumferuntur-vetustissimum-et-johanni-sagornino-vulgo-tributum-e-mss" title="Chronicon Venetum omnium quae circumferuntur vetustissimum et Johanni Sagornino vulgo tributum e Mss. codice Apostoli Zeno V.Cl. nunc primum Cum Mss. Codicibus Vaticanis collatum, Notisque illustratum in lucem profert. H. Fr. Zanetti Al. F"><div class="highlight">A fine reglé copy, printed on strong blue paper</div>
                                    <h2>Ioannes, Diaconus (ca. 965-1018).</h2>
                                    <h3>Chronicon Venetum omnium quae circumferuntur vetustissimum et Johanni Sagornino vulgo tributum e Mss. codice Apostoli Zeno V.Cl. nunc primum Cum Mss. Codicibus Vaticanis collatum, Notisque illustratum in lucem profert. H. Fr. Zanetti Al. F. <span>Venice, at the expense of Giuseppe Farsetti, 1765..  </span></h3>
                                    Small 4&deg; (218x131 mm). Printed on blue paper. XIX, [1], 131, [1] pages. Woodcut headpiece and decorated initial on fol. A2r. Fine contemporary, possibly French, red straight-grain morocco, over pasteboards. Covers within triple gilt fillet. Spine with five small raised bands, compartments decorated in gilt with diagonal of dotted fillets, small floral tools, and dots. Title in...
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                                    <div class="tag price">&euro;     7.800 </div>
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                                    <a href="http://www.philobiblon.org/incunaboli-cinquecentine/-2f4ea59371" title="Σχόλια παλαιὰ τῶν πάνυ δοκίμων εἰς τὴν Ὁμήρου Ἰλιάδα."><div class="highlight"></div>
                                    <h2>Didymos Chalcenteros.</h2>
                                    <h3>Σχόλια παλαιὰ τῶν πάνυ δοκίμων εἰς τὴν Ὁμήρου Ἰλιάδα.. <span>Roma, Tipografia del Collegio Mediceo per Angelo Colocci, 1517..  </span></h3>
                                    In-folio piccolo (mm 266&times;198). STAMPATO SU PERGAMENA. Segnatura: &alpha;-&zeta;8, &eta;10, &theta;-&upsilon;8, &phi;10. 172 carte non numerate. Carattere greco e romano. Testo in greco; in latino l&rsquo;indirizzo al lettore al recto della carta &alpha;1, e il privilegio di Leone X alla carta &phi;10r. Colophon in greco alla c. &phi;10r. Spazi bianchi per iniziali, con letterina guida....
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/la-forza-della-virtu-drama-per-musica-da-rappresentarsi-nel-teatro-malvezzi-lanno-m-dc-xciv-dedi" title="La forza della virtu drama per musica da rappresentarsi nel Teatro Malvezzi l’anno m.dc.xciv... Dedicato all’Eminentissimo, e Reverendissimo Sig. Cardinale Marcello Durazzo Legato di Bologna..."><div class="highlight">The new multipoint perspective scenery</div>
                                    <h2>David, Domenico (d. 1698).</h2>
                                    <h3>La forza della virtu drama per musica da rappresentarsi nel Teatro Malvezzi l’anno m.dc.xciv... Dedicato all’Eminentissimo, e Reverendissimo Sig. Cardinale Marcello Durazzo Legato di Bologna.... <span>Antonio Pisarri's heirs,  1694.</span></h3>
                                    4&deg; (199x137 mm). Collation: A8, B-H4, I6. 82 pages, lacking the last blank leaf. Roman and italic type. Twelve folding etchings, engraved by Carlo Antonio Buffagnotti after Marco Antonio Chiarini; each plate signed by artist and engraver, and with caption titles. Rebound in cardboards covered with a beautiful eighteenth-century gilt-blocked floral paper. Marbled edges. A good...
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                                    <div class="tag price">&euro;    12.500 </div>
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/storia-genuina-del-cenacolo-insigne-dipinto-da-leonardo-da-vinci-nel-refettorio-de-padri-domenica" title="Storia genuina del Cenacolo insigne dipinto da Leonardo da Vinci nel refettorio de’ padri domenicani di Santa Maria delle Grazie di Milano..."><div class="highlight">The first monograph on Leonardo’s 'Last Supper’</div>
                                    <h2>Pino, Domenico (fl. between 18th and 19th century).</h2>
                                    <h3>Storia genuina del Cenacolo insigne dipinto da Leonardo da Vinci nel refettorio de’ padri domenicani di Santa Maria delle Grazie di Milano.... <span>Cesare Orena in the Malatesta Press,  1796.</span></h3>
                                    8&deg; (223x134 mm). [8], 139, [1] pages. Contemporary red morocco, over pasteboards. Covers within elaborate gilt frames, gilt centrepiece. Spine with five raised bands, gilt-tooled; title in gold on blue morocco lettering-piece. Marbled pastedowns and flyleaves, gilt edges. Small wormholes at the bottom of the spine. A fine copy printed on thick paper. Shelfmark 'L4' on the front...
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                                    <div class="tag price">&euro;     3.800 </div>
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                                    <h2>Donati Lamberto.</h2>
                                    <h3>Chi furono gli Accademici della Crusca che prepararono la Divina Commedia del 1595?. <span>Firenze, Sansoni, 1953,.  </span></h3>
                                    in-8, pp. 19 con 34 facsimili n.t., (2), broch. edit. grigia, titoli in nero e blu ai piatti contornati da bordura floreale blu, in antiporta tavola a riproduzione del frontespizio della Commedia del 1595. Ed. di 333 copie impresse, (ns. 301).
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/trente-eaux-fortes-originales" title="Manet. Trente eaux-fortes originales"><div class="highlight">Manet’s Etching Revival</div>
                                    <h2>Manet, Édouard (1832-1883).</h2>
                                    <h3>Manet. Trente eaux-fortes originales. <span>A. Strölin,  1905.</span></h3>
                                    Large folio-size collection (546x360 mm) comprising a four-leaf booklet and complete set of thirty etchings with aquatint set in mats. The title-page includes a heliogravure portrait by Fantin-Latour; introduction and index by Th&eacute;odore Duret. Edition of 100 copies. In original tan cloth portfolio case. Sheets with full margins, 445x312 mm; plates ranging in size. Printed on...
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                                    <div class="tag price">&euro;    75.000 </div>
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/elementorum-libri-xv-accessit-xvi-de-solidorum-regularium-comparatione-omnes-perspicuis-demonstratio" title="Elementorum Libri XV. Accessit XVI. De solidorum Regularium comparatione. Omnes perspicuis demonstrationibus, accuratisque scholjis illustrati. Auctore Christophoro Clavio Bambergensi. Societatis Iesu"><div class="highlight">Euclid’s Elementa, from Jean-Baptiste Colbert’s Library, finely bound for Comte Charles-Henry de Hoym</div>
                                    <h2>Euclides (fl. 3rd century BC).</h2>
                                    <h3>Elementorum Libri XV. Accessit XVI. De solidorum Regularium comparatione. Omnes perspicuis demonstrationibus, accuratisque scholjis illustrati. Auctore Christophoro Clavio Bambergensi. Societatis Iesu. <span>Vincenzo Accolti,  1574.</span></h3>
                                    Two volumes, 8&deg; (175x118 mm). I. Collation: a-e8, A-Z8, Aa-Ss8, Tt4. [40], 331 of 332 leaves, lacking the last leaf blank. II. Collation: A-Z8, Aa-Oo8, Pp4. 300 leaves. Complete with fol. Pp4 blank. Italic, roman, and Greek type. Title-pages within woodcut architectural frame, text enclosed in plain rule border. Woodcut printer's device on fol. Pp3r of the second volume....
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                                    <div class="tag price">&euro;    16.000 </div>
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/de-gli-elementi-di-euclide-libri-quindici" title="De gli elementi di Euclide libri quindici... Tradotti ... da M. Federico Commandino..."><div class="highlight">Commandino Euclid, printed on blue paper - A rare, luxury copy of a scientific book</div>
                                    <h2>Euclides (fl. 3rd century BC).</h2>
                                    <h3>De gli elementi di Euclide libri quindici... Tradotti ... da M. Federico Commandino.... <span>Domenico Frisolino,  [before 3 September] 1575.</span></h3>
                                    Folio (306x211 mm). Printed on blue paper. Collation: *2, **4, ***2, A-Z4, AA-ZZ4, AAa-ZZz4, AAAa2. [8], 278 leaves. In this copy fol. TT2 bound after fol. VV2. Italic and roman type. Ten-line animated initials at the beginning of each Book. Contemporary gilt-tooled limp vellum. Covers within gilt border, fleuron at the centre. Smooth spine, decorated with gilt tools, inked title....
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                                    <a href="http://www.philobiblon.org/incunaboli-cinquecentine/-ee2527f437" title="Εὐκλείδου Στοιχείων βιβλ. ιέ ἐκ τῶν Θέωνος συνουσιῶν… Adiecta praefatiuncula in qua de disciplinis Mathematicis nonnihil"><div class="highlight"></div>
                                    <h2>Eukleides.</h2>
                                    <h3>Εὐκλείδου Στοιχείων βιβλ. ιέ ἐκ τῶν Θέωνος συνουσιῶν… Adiecta praefatiuncula in qua de disciplinis Mathematicis nonnihil. <span>Basel, Johann Herwagen, settembre 1533..  </span></h3>
                                    Due parti in un volume in-folio (mm 307&times;203). Segnatura: a6, &alpha;-&eta;6, &theta;4, &iota;-&chi;6, &psi;4; A-K6 (impressa al solo recto la carta a1). 6 carte non numerate, 268 pagine, 115 pagine, una pagina non numerata, manca l&rsquo;ultima carta bianca. Carattere greco, romano e corsivo. Testo in greco; in latino intitolazione al frontespizio, lettera dedicatoria (cc. a2r-a5v),...
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                                    <a href="http://www.philobiblon.org/architettura-arte/discorso-sopra-il-ballo-et-le-buone-creanze-necessarie-ad-un-gentilhuomo-ad-una-gentildonna" title="Discorso sopra il ballo et le buone creanze necessarie ad un Gentil’Huomo &amp; ad una Gentildonna"><div class="highlight"></div>
                                    <h2>Filippo degli Alessandri.</h2>
                                    <h3>Discorso sopra il ballo et le buone creanze necessarie ad un Gentil’Huomo & ad una Gentildonna. <span>Terni, Tommaso Guerrieri, 1620..  </span></h3>
                                    In-12&deg; (mm 131x68). [12], 256, [15] pp. Testo inquadrato da cornice silografica a singolo filetto. Legatura coeva in pergamenafloscia. Esemplare in ottimo stato di conservazione, foro di tarlo al margine bianco inferiore del fascicolo E, mancanza all&rsquo;angolo inferiore esterno della carta L8 con conseguente perdita di poche lettere.
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/relatione-delle-feste-fatte-in-palermo-nel-1625-per-lo-trionfo-delle-gloriose-reliquie-di-s-rosalia" title="Relatione delle feste fatte in Palermo nel 1625 per lo trionfo delle gloriose reliquie. Di S. Rosalia vergine palermitana. Scritta dal dottor don Onofrio Paruta, canonico della chiesa metropolitana di Palermo, figlio di Filippo. E poi perfettionata da don Simplicio Paruta monaco cassinese..."><div class="highlight">The festival of Saint Rosalia, the ‘little Saint’ of Palermo</div>
                                    <h2>Paruta, Filippo (1552-1629).</h2>
                                    <h3>Relatione delle feste fatte in Palermo nel 1625 per lo trionfo delle gloriose reliquie. Di S. Rosalia vergine palermitana. Scritta dal dottor don Onofrio Paruta, canonico della chiesa metropolitana di Palermo, figlio di Filippo. E poi perfettionata da don Simplicio Paruta monaco cassinese.... <span>Pietro Coppola,  1651.</span></h3>
                                    4&deg; (200x145 mm). Collation: [&pi;]2, &dagger;4, A-T4, V2, X4, Y2, Z4, [&chi;]2. [12], 176, [4] pages. Roman, and italic type. Fols. [&pi;]1 and [&pi;]2 with half-title and engraved frontispiece, respectively. Four folding plates engraved by Francesco Nigro and Francesco La Barbera, after Gerardo Astorino and Vincenzo La Barbera. Modern morocco, richly gilt tooled. Original...
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                                    <div class="tag price">&euro;    12.800 </div>
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/dissertazione-intorno-agli-uomini-dotati-di-grand-memoria-con-un-appendice-delle-biblioteche-degli" title="Dissertazione... intorno agli uomini dotati di gran memoria ed a quelli divenuti smemorati. Con un’Appendice delle Biblioteche degli scrittori, sopra gli eruditi precoci, la memoria artificiale, l’arte di scegliere e di notare, ed il giuoco degli scacchi"><div class="highlight">With an early bibliography on artificial memory and the game of chess</div>
                                    <h2>Cancellieri, Francesco (1751-1826).</h2>
                                    <h3>Dissertazione... intorno agli uomini dotati di gran memoria ed a quelli divenuti smemorati. Con un’Appendice delle Biblioteche degli scrittori, sopra gli eruditi precoci, la memoria artificiale, l’arte di scegliere e di notare, ed il giuoco degli scacchi. <span>Francesco Bourlie,  1815.</span></h3>
                                    8&deg; (193x105 mm). XI, [1], 168 pages. Contemporary vellum, over pasteboards. Smooth spine. A very good, uncut copy. Minor foxing in places, the lower blank margin of the title-page slightly soiled. A few pencilled bibliographical notes on the rear pastedown.
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                                    <a href="http://www.philobiblon.org/legature-pregio/hypnerotomachie-ou-discours-du-songe-de-poliphile" title="Hypnerotomachie, ou Discours du songe de Poliphile."><div class="highlight"></div>
                                    <h2>Francesco Colonna.</h2>
                                    <h3>Hypnerotomachie, ou Discours du songe de Poliphile.. <span>Paris, Louis Blaublom per Jacques Kerver, 20 Agosto, 1546..  </span></h3>
                                    Folio. Segnatura: ā6, A-Z6, Aa-Bb6, Cc8. [6], 157, [1] cc. Marca tipografica silografica all&rsquo;ultima carta. 183 illustrazioni incise su legno, 13 delle quali a piena pagina. Due silografie a piena pagina raffiguranti il Tempio di Venere Physizoa impresse al recto e al verso della carta M6. Queste due illustrazioni sono basate sui legni incisi per la princeps in lingua italiana, stampata da...
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/la-hypnerotomachia-di-poliphilo-cioe-pugna-damore-in-sogno-dovegli-mostra-che-tutte-le-cose-hu" title="La Hypnerotomachia di Poliphilo, cioe pugna d’amore in sogno. Dou’egli mostra, che tutte le cose humane non sono altro che Sogno: &amp; doue narra molt’altre cose degne di cognitione"><div class="highlight">A book for affluent bibliophiles</div>
                                    <h2>Colonna, Francesco (ca. 1433-1527).</h2>
                                    <h3>La Hypnerotomachia di Poliphilo, cioe pugna d’amore in sogno. Dou’egli mostra, che tutte le cose humane non sono altro che Sogno: & doue narra molt’altre cose degne di cognitione. <span>Sons of Aldo Manuzio,  1545.</span></h3>
                                    Folio (286x195 mm). Collation: [&pi;]4, a-y8, z10, A-E8, F4. [234] leaves. Roman type. Aldine device on the title-page and verso of the last leaf. 172 woodcuts, eleven of which are full page. Blank spaces for capitals, with printed guide letters. Contemporary vellum over pasteboards with yapp edges and running stitches to spine. Smooth spine with title and date inked in black. A...
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                                    <div class="tag price">&euro;    68.000 </div>
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/le-cose-volgari-di-messer-francesco-petrarca" title="Le cose vulgari di Messer Francesco Petrarcha"><div class="highlight">The Lyonese counterfeit, even rarer than the original Aldine</div>
                                    <h2>Petrarca, Francesco (1304-1374).</h2>
                                    <h3>Le cose vulgari di Messer Francesco Petrarcha. <span>[Lyon, ca. 1502].  </span></h3>
                                    8&deg; (145x92 mm). Collation: a-y8, z4, A8. [188] leaves. Complete with fols. u6, x5, y5, and z4 blank. Lyons italic type. Nearly contemporary vellum, over pasteboards. Smooth spine with title inked vertically by an early hand. Edges speckled brownish red, head-edge darkened. A few stains to the covers. A very good copy, the upper margin slightly trimmed, partly affecting the...
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                                    <div class="tag price">&euro;     9.500 </div>
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/franchini-gafurii-laudensis-regii-musici-publice-profitentis-de-lubrique-mediolanensis-phonasci-de-h" title="Franchini Gafurii Laudensis Regii Musici publice profitentis: De lubrique Mediolanensis Phonasci: de Harmonia Musicorum Instrumentorum Opus..."><div class="highlight">Franchinus Gafurius laudensis Regius musicus corteque mediolanensis phonascus Excell.mo Amico Ambatiae, Viro honoratissimo</div>
                                    <h2>Gaffurio, Franchino (1421-1522).</h2>
                                    <h3>Franchini Gafurii Laudensis Regii Musici publice profitentis: De lubrique Mediolanensis Phonasci: de Harmonia Musicorum Instrumentorum Opus.... <span>Gottardo da Ponte,  27 November 1518.</span></h3>
                                    Folio (299x206 mm). Collation: a4, A-M8, N6. [4], c, [2] leaves. Roman and gothic type. Woodcut printer's device on the verso of the last leaf. Large woodcut vignette on the title-page (137x115mm), depicting the author lecturing to students with the caption 'Harmonia est discordia concors', and the long inscription on the edge of the block 'FRAN. GAFVRI[VS]. LAVDEN. TRIA DE MVSICIS...
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                                    <div class="tag price">&euro;   280.000 </div>
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/de-dignitate-et-augmentis-scientiarum-libri-ix-ad-regem-suum-iuxta-exemplar-londini-impressum" title="De dignitate et augmentis scientiarum, Libri ix. Ad Regem suum. Iuxta Exemplar Londini Impressum"><div class="highlight">The ‘lunatiques’ of Aix-en-Provence. A Gift from Peiresc to His Friend Gassendi</div>
                                    <h2>Bacon, Francis (1561-1626).</h2>
                                    <h3>De dignitate et augmentis scientiarum, Libri ix. Ad Regem suum. Iuxta Exemplar Londini Impressum. <span>Pierre Mettayer,  1624.</span></h3>
                                    Small 4&deg; (256x170 mm). Collation: *2, **4, ***2, A-Z8, AA-ZZ8, AAa-XXx4, YYy2. [16], 540 pages (with some errors in numbering). Roman and italic type. Woodcut printer's device on the title-page. Engraved portrait of the author on fol. *1r. Woodcut decorated initials and headpieces. Fine French contemporary binding executed by Simon Corberan. Red morocco, over pasteboards....
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                                    <div class="tag price">&euro;   120.000 </div>
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