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                                 <figure class="col-md-4 gallery"><a href="http://www.philobiblon.org/typo3temp/pics/c1e7e4edc8.jpg" rel="lightbox[external8253-9 400 300]" target="@mediabox" class="lightbox" alt="" title=""><img src="http://www.philobiblon.org/typo3temp/pics/9f03d9b299.jpg" width="276" height="200" itemprop="image" alt="" /></a></figure>
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/apollonii-pergei-philosophi-mathematicique-excellentissimi-opera-per-doctissimum-philosophum-ioannem" title="Apollonii Pergei Philosophi, Mathematicique excellentissimi Opera. Per Doctissimum Philosophum Ioannem Baptistam Memum Patritium Venetum, Mathematicharum Artium in Urbe Veneta Lectorem Publicum. De Graeco in Latinum Traducta, &amp; Nouiter Impressa..."><div class="highlight">The Dee-Winthrop copy of Apollonius of Perga</div>
                                    <h2>Apollonius Pergaeus (late 3rd century BC - early 2nd century BC).</h2>
                                    <h3>Apollonii Pergei Philosophi, Mathematicique excellentissimi Opera. Per Doctissimum Philosophum Ioannem Baptistam Memum Patritium Venetum, Mathematicharum Artium in Urbe Veneta Lectorem Publicum. De Graeco in Latinum Traducta, & Nouiter Impressa.... <span>Bernardino Bindoni for Giambattista Memmo,  1537.</span></h3>
                                    Folio (303x203 mm). Collation: a-p6. 89 of 90 leaves, lacking the final blank. Roman and italic type. Title-page printed in red and black, within a four-sided border of six different woodblocks, depicting a series of philosophers, poets, and scientists from Antiquity; in the lower panel an enclosed garden with fountains. On the title-page woodcut depiction of the author with his...
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                                    <div class="tag price">&euro;   540.000 </div>
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                                 <figure class="col-md-4 gallery"><a href="http://www.philobiblon.org/uploads/tx_gorillary/10B47gPXBRhG_QeWtIdEI3YXpPems.jpg" rel="lightbox[external2971-9 400 300]" target="@mediabox" class="lightbox" alt="" title="1"><img src="http://www.philobiblon.org/typo3temp/pics/ab23092869.jpg" width="146" height="200" itemprop="image" alt="" title="1" /></a></figure>
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                                    <a href="http://www.philobiblon.org/incunaboli-cinquecentine/de-bello-italico-adversus-gothos" title="De bello Italico adversus Gothos"><div class="highlight"></div>
                                    <h2>Aretino Leonardo Bruno.</h2>
                                    <h3>De bello Italico adversus Gothos. <span>Foligno, Johann Neumeister ed Emiliano degli Orfini, 1470.  </span></h3>
                                    In-4&deg;(mm 250x188). Segnatura: [a12, b-f10, g12]. 72 di 74 carte non numerate, mancando la prima e l&rsquo;ultima bianca. Testo su 29 linee. Al recto della prima carta iniziale &lsquo;E&rsquo; su 6 linee miniata in oro e ornata da bianchi girari circondata da bordura a tre montanti ornata da bianchi girari su fondo blu, rosso e verde, delimitata da due filetti in oro. Al centro del lato...
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/ars-magna-sciendi-in-xii-libros-digesta-qua-nova-universali-methodo-per-artificiosum-combinationum" title="Ars Magna Sciendi, In XII Libros Digesta, qua Nova &amp; Universali Methodo Per Artificiosum Combinationum contextum de omni re proposita plurimis &amp; prope infinitis rationibus disputari, omniumque summaria quaedam cognitio comparari potest..."><div class="highlight">A stunning presentation copy of Kircher’s Ars Magna Sciendi</div>
                                    <h2>Kircher, Athanasius (1602-1680).</h2>
                                    <h3>Ars Magna Sciendi, In XII Libros Digesta, qua Nova & Universali Methodo Per Artificiosum Combinationum contextum de omni re proposita plurimis & prope infinitis rationibus disputari, omniumque summaria quaedam cognitio comparari potest.... <span>Johann Jansson van Waesberghe and the Widow of Elizeus Weyerstraet,  1669.</span></h3>
                                    Two parts in one volume, large folio (447x282 mm). The two parts with running collation and foliation. Collation: *4, **4, A-Z4, Aa-Hh4, Kk-Zz4, Aaa-Ooo4, Ppp6. [16], 482, [10] pages. Roman and italic type. Text in two columns. Separate engraved title-pages to both parts, the second one bearing a woodcut printer's device. Between fols. *2 and *3, an engraved portrait of Emperor...
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                                    <div class="tag price">&euro;    46.000 </div>
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/de-civitate-dei" title="De Civitate Dei"><div class="highlight">A Typographical Monument</div>
                                    <h2>Aurelius Augustinus (354-430).</h2>
                                    <h3>De Civitate Dei. <span>Conradus Sweynheym and Arnoldus Pannartz, in the house of Petrus de Maximo,  1468.</span></h3>
                                    Folio (400x280 mm). Collation: *8, **8, a-m10, n12, 710, cum8, rum8. 273 of [274] leaves, lacking the last blank. Complete with the other blank leaves, fols. *1, **8, and rum7. Text in one column, 46 lines. Type: 115R. Fine illuminated white vinestem border on fol. a1r, including two large initials 'I' and 'G' illuminated in gold, and in lower panel the arms of Cardinal Niccol&ograve;...
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                                    <div class="tag price">&euro;   240.000 </div>
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/il-libro-del-cortegiano-del-conte-baldesar-gastiglione-sic" title="Il libro del cortegiano del conte Baldesar Gastiglione [sic]"><div class="highlight">A bibliographical puzzle</div>
                                    <h2>Castiglione, Baldassarre (1478-1529).</h2>
                                    <h3>Il libro del cortegiano del conte Baldesar Gastiglione [sic]. <span>Florence, Benedetto Giunti, 1531 [probably Rome, 1537].  </span></h3>
                                    8&deg; (155x96 mm). Collation: A-Z8, AA-BB8. 200 leaves. Roman and italic type. Woodcut printer's device on the title-page and on the verso of the last leaf. Blank spaces for capitals, with printed guide letters. Contemporary limp vellum with yapp edges. Traces of ties, title inked by a contemporary hand on the tail-edge. Smooth spine, with inked title. A good copy, title-page...
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                                    <div class="tag price">&euro;     8.800 </div>
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                                    <a href="http://www.philobiblon.org/incunaboli-cinquecentine/de-honesta-voluptate-et-valetudine" title="De honesta voluptate et valetudine"><div class="highlight"></div>
                                    <h2>Bartholomaeus Platina.</h2>
                                    <h3>De honesta voluptate et valetudine. <span>Venezia, [Bernardino Benali], 25 agosto 1494..  </span></h3>
                                    In-4&deg; (mm 207x152). Segnatura: [*]6, a-n8, o4. 114 carte non numerate di cui la prima bianca. Testo su una colonna di 29 linee. Carattere 110R. Spazi bianchi per iniziali con letterine guida. La prima carta di testo &egrave; ornata da un&rsquo;iniziale miniata in oro e decorata da bianchi girari con inserti in oro su fondo blu e verde. Alla stessa carta, lingo il margine inferiore, si trova...
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/civitas-veri-sive-morum" title="Civitas veri sive morum... Aristotelis de moribus doctrinam, carmine et picturis complexa, et illustrata commentariis Theodori Marcilii..."><div class="highlight">A journey to the City of Truth</div>
                                    <h2>Del Bene, Bartolomeo (b. 1514).</h2>
                                    <h3>Civitas veri sive morum... Aristotelis de moribus doctrinam, carmine et picturis complexa, et illustrata commentariis Theodori Marcilii.... <span>Ambroise and Jérôme Drouart,  1609.</span></h3>
                                    Folio (343x214 mm). Collation: A4, 2A-Z4, Aa-Hh4, Ii6. [8], 258, [2] pages. Complete with fol. A4 blank. Roman, italic, and Greek type. Engraved title-page and thirty-three engraved plates by Thomas de Leu, including a double-page plan of the City of Truth. Woodcut initials, head-and tailpieces. Contemporary vellum, over pasteboards. Spine with title in gilt on lettering-piece....
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                                    <div class="tag price">&euro;    18.000 </div>
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/opuscula-anatomica-quorum-numerum-argumenta-aversa-pagina-indicabit-libellus-de-dentibus" title="Opuscula anatomica. Quorum numerum &amp; argumenta auersa pagina indicabit... Venice, Vincenzo Luchino, 1563-1564. (offered with:) Idem. Tabulae Anatomicae Bartholomaei Eustachii... quas e tenebris tandem vindicatas..."><div class="highlight">Had the plates been published at the time they were executed, Eustachi would undoubtedly have ranked with Vesalius as a founder of modern anatomical studies — Heirs of Hippocrates</div>
                                    <h2>Eustachi, Bartolomeo (1500/10-1574).</h2>
                                    <h3>Opuscula anatomica. Quorum numerum & argumenta auersa pagina indicabit... Venice, Vincenzo Luchino, 1563-1564. (offered with:) Idem. Tabulae Anatomicae Bartholomaei Eustachii... quas e tenebris tandem vindicatas.... <span>Francesco Gonzaga,  1714.</span></h3>
                                    I. Three parts in one volume, 4&deg; (197x137 mm). Collation: *6, 2*4, A-Z4, Aa-Ii4, Kk2, Ll-Ss4; a-h4, 2I-N4; 3A-V4, X2, &alpha;-&beta;8, &kappa;4. [12], 323 [i.e. 331, the eight full-page plates uncounted in the pagination], [1]; [8], 95, [1]; [204] pages. In this copy the Index relating to the Opuscula is bound at the end. On the first title-page the final 'i' in imprint date...
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                                    <div class="tag price">&euro;    75.000 </div>
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/book-of-hours-use-of-rome" title="Book of Hours. (Use of Rome); Illuminated manuscript on parchment, in Latin. Bruges, ca. 1460-1475"><div class="highlight">A luxurious 'Vrelant Book of Hours'</div>
                                    <h2>Book of Hours.</h2>
                                    <h3>Book of Hours. (Use of Rome); Illuminated manuscript on parchment, in Latin. Bruges, ca. 1460-1475. <span>Illuminated manuscript on parchment, in Latin. Bruges, ca. 1460-1475.  </span></h3>
                                    168x115 mm. 182 leaves. Complete. Quires generally of 8 leaves (except 1-26, 156, 182) with the major part of the full-page miniatures added on single sheets. Blanks: fol. 122 and the last one. Early pencilled foliation on the upper right corner (used here). Text block: 88x59 mm, one column, 17 lines. Ruled in red ink. Written in black ink in a regular letter bastarde. Rubrics in...
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                                    <div class="tag price">&euro;   180.000 </div>
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                                    <a href="http://www.philobiblon.org/letteratura/scritti-giovanili" title="Scritti giovanili.."><div class="highlight">Dono agli Amici</div>
                                    <h2>Buonamici, Francesco (1832-1921). .</h2>
                                    <h3>Scritti giovanili... <span>Pisa,Tipografia Citi, 15 giugno 1861.  </span></h3>
                                    16&deg; (137x95 mm). Printed on blue paper. [4], 127, [3] pages. Original editorial boards, spine lacking. A good copy, minor foxing. The first andlast leaves slightly discoloured.
The Pisan lawyer and politician Buonamici, future senator of the Regno d'Italia, issued this booklet not for sale, but rather to begiven as gifts to his friends, as attested by the printed inscriptionon the first leaf...
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/descrizione-delle-feste-fatte-nelle-reali-nozze-de-serenissimo-principi-di-toscana-d-cosimo-de" title="Descrizione delle Feste fatte nelle Reali nozze de’ Serenissimo Principi di Toscana D. Cosimo de’ Medici, e Maria Maddalena Archiduchessa d’Austria"><div class="highlight">A sumptous wedding account printed on blue paper, bound for the Vettori Family</div>
                                    <h2>Rinuccini, Camillo (1564-1649).</h2>
                                    <h3>Descrizione delle Feste fatte nelle Reali nozze de’ Serenissimo Principi di Toscana D. Cosimo de’ Medici, e Maria Maddalena Archiduchessa d’Austria. <span>Giunta,  1608.</span></h3>
                                    4&deg; (232x158 mm). Printed on blue paper. Collation: [&pi;]2, A-H4, I2, K-L4, M2, N-T4, V2. [4], 149 [i.e. 147, pp. 69-72 omitted], [1] pages. Complete with fol. M2 blank. Roman and italic type. Text partly printed in two columns. Woodcut coat of arms of the Medici and Habsburg families on the title-page. Fine woodcut compass rose on the recto of fol. N4. Woodcut decorated...
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                                    <div class="tag price">&euro;     6.800 </div>
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/locchiale-allocchio-dioptrica-practica-doue-si-tratta-della-luce-della-reffratione-dei-raggi" title="L’Occhiale all’Occhio. Dioptrica practica... Doue si tratta della Luce; della Reffratione dei Raggi; dell’Occhio; della Vista; e degli aiuti, che dare si possono à gli Occhi per vedere quasi l’impossibile..."><div class="highlight">Eustachio Divini’s copy</div>
                                    <h2>Manzini, Carlo Antonio (1599-1677).</h2>
                                    <h3>L’Occhiale all’Occhio. Dioptrica practica... Doue si tratta della Luce; della Reffratione dei Raggi; dell’Occhio; della Vista; e degli aiuti, che dare si possono à gli Occhi per vedere quasi l’impossibile.... <span>Vittorio Benacci's Heirs,  1660.</span></h3>
                                    4&deg; (207x148 mm). Collation: ☩6 (fol. ☩3 signed ☩2), A-Z4, A-Ll4. [12], 268, [4] pages, lacking the engraved portrait of Eustachio Divini. Roman and italic type. Woodcut vignette on the title-page showing a telescope, with the inscription 'REFERT INGENTI FOENORE' in a cartouche. Numerous woodcut illustrations and diagrams in the text, one full-page woodcut on fol. P4v...
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                                    <div class="tag price">&euro;    18.000 </div>
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/le-avventure-di-pinocchio-storia-di-un-burattino-illustrata-da-e-mazzanti" title="Le avventure di Pinocchio. Storia di un burattino. Illustrata da E. Mazzanti"><div class="highlight">In the deluxe original publisher’s green cloth</div>
                                    <h2>Collodi, Carlo (1826-1890).</h2>
                                    <h3>Le avventure di Pinocchio. Storia di un burattino. Illustrata da E. Mazzanti. <span>Firenze, Felice Paggi, 1883.  </span></h3>
                                    8&deg; (182x120 mm). 236 pages, plus IV pages of advertisements. A portrait of Pinocchio by Enrico Mazzanti serves as the frontispiece. Sixty-one woodcuts in the text, likewise by Mazzanti. Original publisher's green cloth. On the upper cover, title stamped in gilt between two gilt stripes with the name of the author and printer embossed in green; the lower cover decorated with two...
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                                    <div class="tag price">&euro;    70.000 </div>
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/le-avventure-di-pinocchio-storia-di-un-burattino-illustrata-da-e-mazzanti-1" title="Le avventure di Pinocchio. Storia di un burattino. Illustrata da E. Mazzanti"><div class="highlight">With the original light green wrappers, housed in an artistic binding by Sandra Varisco</div>
                                    <h2>Collodi, Carlo (1826-1890).</h2>
                                    <h3>Le avventure di Pinocchio. Storia di un burattino. Illustrata da E. Mazzanti. <span>Felice Paggi,  1883.</span></h3>
                                    8&deg; (190x122 mm). 236 pages, plus IV pages of advertisements. A portrait of Pinocchio by Enrico Mazzanti serves as the frontispiece. Sixty-one woodcuts in the text, likewise by Mazzanti. In a fine binding signed and dated (2015) by Sandra Varisco, after a maquette by the contemporary artist MP5. Cream box calf with figurative inlays in green inspired by the silhouette of...
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                                    <div class="tag price">&euro;    35.000 </div>
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/dei-delitti-e-delle-pene" title="Dei delitti e delle pene..."><div class="highlight">If a government needs censorship, it comes from the weakness of its constitution — Cesare Beccaria</div>
                                    <h2>Beccaria, Cesare (1734-1794).</h2>
                                    <h3>Dei delitti e delle pene.... <span>[Livorno, Marco Coltellini for Giuseppe Aubert], 1764.  </span></h3>
                                    4&deg; (197x143 mm). 104, [2] pages. Complete, including the final leaf with the errata, often lacking in recorded copies. Woodcut headpiece on fol. A2r. Contemporary vellum, over pasteboards. Smooth spine, divided into compartments by gilt fillets, and decorated with small floral tools. Title in gold on morocco lettering-piece. Pastedowns covered with floral patterned paper. A...
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                                    <div class="tag price">&euro;    35.000 </div>
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                                    <h2>Beccaria, Cesare (1734-1794).</h2>
                                    <h3>Dei delitti e delle pene.... <span>[Livorno, Marco Coltellini for Giuseppe Aubert], 1764.  </span></h3>
                                    4&deg; (204x150 mm). 104 pages. Lacking the final leaf with the errata. Woodcut headpiece on fol. A2r. Contemporary vellum, over pasteboards. A very good, wide-margined copy. Minor, and sporadic foxing to the first and last leaves.
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                                    <div class="tag price">&euro;    27.000 </div>
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/luomo-delinquente-studiato-in-rapporto-alla-antropologia-alla-medicina-legale-ed-alle-discipline" title="L’uomo delinquente studiato in rapporto alla antropologia, alla medicina legale ed alle discipline carcerarie"><div class="highlight">The foundation of Criminology. A dedication copy to the Italian Psychiatric Society</div>
                                    <h2>Lombroso, Cesare (1835-1909).</h2>
                                    <h3>L’uomo delinquente studiato in rapporto alla antropologia, alla medicina legale ed alle discipline carcerarie. <span>Ulrico Hoepli,  1876.</span></h3>
                                    8&deg; (225x160 mm). [4], 255, [1] pages. With four illustrations in the text, one of which is pasted on page 65 and reproduces the photograph that three murders made of themselves, as a memory, while miming the crime that they had just committed. Contemporary half-cloth with gilt title on spine. Spine repaired at the extremities. A very good copy, gutter of the first quire...
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                                    <div class="tag price">&euro;     9.500 </div>
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/souvenir-d-un-voyage-de-nice-a-genes-par-la-corniche-vingt-trois-de-mes-dessins-eaux-fortes" title="Italie. Souvenir d’un voyage de Nice à Génes par la Corniche. Vingt-trois de mes Dessins. Eaux-fortes"><div class="highlight"></div>
                                    <h2>Rothschild, Charlotte Baroness de (1825-1899).</h2>
                                    <h3>Italie. Souvenir d’un voyage de Nice à Génes par la Corniche. Vingt-trois de mes Dessins. Eaux-fortes. <span>1869.  </span></h3>
                                    Oblong folio (435x600 mm overall; 250x430 mm platemark). Title-page printed in red and black. Twenty-three mounted etchings. Contemporary dark brown shagreen, covers double-ruled. Spine with six raised bands, title lettered in gilt. Minor abrasions to covers, spine partially cracked. Generally the etchings are superb impressions.
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                                    <div class="tag price">&euro;    12.000 </div>
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                                                  <a data-toggle="modal" data-target=".bs-example-modal-lg" class="form" mac-lotto="" mac-title="Italie. Souvenir d’un voyage de Nice à Génes par la Corniche. Vingt-trois de mes Dessins. Eaux-fortes" mac-url="http://www.philobiblon.org/catalogo-a-tousand-years/souvenir-d-un-voyage-de-nice-a-genes-par-la-corniche-vingt-trois-de-mes-dessins-eaux-fortes">
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/circulus-pisanus-de-veteri-et-peripatetica-philosophia-in-aristotelis-libros-octo-physicorum-quatuo" title="Circulus Pisanus... De veteri et peripatetica philosophia in Aristotelis libros octo Physicorum. Quatuor de coelo. Duos de ortu &amp; interitu. Quatuor de meteoris, &amp; tres de anima... Opus in hac secunda editione auctius &amp; retractatius"><div class="highlight">A tribute to the new experimental sciences</div>
                                    <h2>Bérigard, Claude Guillermet de (ca. 1590-1663).</h2>
                                    <h3>Circulus Pisanus... De veteri et peripatetica philosophia in Aristotelis libros octo Physicorum. Quatuor de coelo. Duos de ortu & interitu. Quatuor de meteoris, & tres de anima... Opus in hac secunda editione auctius & retractatius. <span>Paolo Frambotto,  1660 - 1661.</span></h3>
                                    Six parts in one volume, 4&deg; (220x160 mm). Collation: ✢6, ✢✢4, A-H4; a4; I-Z4, Aa4, Bb6; &sup2;a4, Cc-Xx4; &sup3;a4, Yy-Zz4, Aaa-Xxx4; 4a2, Yyy-Zzz4, Aaaa-Bbbb4, Cccc6; 5a4, Dddd-Zzzz4, Aaaaa4, Bbbbb1 (singleton). [20], 64; 6 of [8], 65-203, [1]; [8], 205-353, [3]; 6 of [8], 357-538, [2]; [4], 541-583, [1]; 6 of [8], 585-729, [25] pages. Complete with the blanks a1, 2a1, Xx4, and Xxx4; lacking...
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                                    <a href="http://www.philobiblon.org/letteratura/il-cesano-dialogo-di-m-claudio-tolomei-nel-quale-da-piu-dotti-huomini-si-disputa-del-nome-col-quale" title="Il Cesano, dialogo di M. Claudio Tolomei, nel quale da più dotti huomini si disputa del nome, col quale si dee ragionevolmente chiamare la volgar lingua... (bound with:) Plato (427-ca. 347 BC). Il dialogo di Platone, intitolato il Timeo... Venice, [Orfeo Dalla Carta] for Comin da Trino, 1558"><div class="highlight">Bound in painted vellum for Marquis Luigi Sylva</div>
                                    <h2>Tolomei, Claudio (1492-1555).</h2>
                                    <h3>Il Cesano, dialogo di M. Claudio Tolomei, nel quale da più dotti huomini si disputa del nome, col quale si dee ragionevolmente chiamare la volgar lingua... (bound with:) Plato (427-ca. 347 BC). Il dialogo di Platone, intitolato il Timeo... Venice, [Orfeo Dalla Carta] for Comin da Trino, 1558. <span>Venice, Gabriel Giolito de' Ferrari & Brothers, 1555.  </span></h3>
                                    (bound with:) Plato (427-ca. 347 BC). Il dialogo di Platone, intitolato il Timeo, overo della natura del mondo. Tradotto di lingua greca in italiano da m. SebastianoErizzo, gentil'huomo venetiano. Et dal medesimo di molte utili annotationi illustrato, et nuovamente mandato in luce da Girolamo Ruscelli. Venice, [Orfeo Dalla Carta] for Comin da Trino, 1558.
Two works in one volume, 4&deg; (205x143...
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                                    <a href="http://www.philobiblon.org/catalogo-a-tousand-years/al-reuerendissimo-et-illustrissimo-signor-il-cardinal-di-trento-la-rapina-di-proserpina-di-liuio" title="Al reuerendissimo et illustrissimo signor il cardinal di Trento La rapina di Proserpina di Liuio"><div class="highlight">Outstanding copy on blue paper, from a sixteenth-century private press</div>
                                    <h2>[Claudianus, Claudius ca. 370-404] Sanuto, Livio (ca. 1520-1576).</h2>
                                    <h3>Al reuerendissimo et illustrissimo signor il cardinal di Trento La rapina di Proserpina di Liuio. <span>Venice, [Gabriele Giolito de’ Ferrari ?], 1551.  </span></h3>
                                    8&deg; (184x118 mm). Printed on blue paper. Collation: A-H8. [64] leaves. Complete with the last blank. Roman and italic type. Numerous large woodcut decorated initials. Handsome Roman eighteenth-century red morocco, over pasteboards. Covers framed within elaborated dentelle, at the centre, gilt-tooled coat of arms of the Doge Marco Foscarini. Spine with five raised bands,...
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                                    <div class="tag price">&euro;    38.000 </div>
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                                 <figure class="col-md-4 gallery"><a href="http://www.philobiblon.org/uploads/tx_gorillary/1eeIQxmanlW9mfTEhDrlcm_xc5F05boRi.jpg" rel="lightbox[external8643-9 400 300]" target="@mediabox" class="lightbox" alt="" title=""><img src="http://www.philobiblon.org/typo3temp/pics/65f77dd236.jpg" width="126" height="200" itemprop="image" alt="" /></a></figure>
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                                    <a href="http://www.philobiblon.org/legature-pregio/al-reuerendissimo-et-illustrissimo-signor-il-cardinal-di-trento-la-rapina-di-proserpina-di-liuio-1" title="Al reuerendissimo et illustrissimo signor il cardinal di Trento La rapina di Proserpina di Liuio"><div class="highlight">Outstanding copy on blue paper, from a sixteenth-century private press</div>
                                    <h2>[Claudianus, Claudius ca. 370-404] Sanuto, Livio (ca. 1520-1576).</h2>
                                    <h3>Al reuerendissimo et illustrissimo signor il cardinal di Trento La rapina di Proserpina di Liuio. <span>Venice, [Gabriele Giolito de’ Ferrari ?], 1551.  </span></h3>
                                    8&deg; (184x118 mm). Printed on blue paper. Collation: A-H8. [64] leaves. Complete with the last blank. Roman and italic type. Numerous large woodcut decorated initials. Handsome Roman eighteenth-century red morocco, over pasteboards. Covers framed within elaborated dentelle, at the centre, gilt-tooled coat of arms of the Doge Marco Foscarini. Spine with five raised bands,...
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                                    <a href="http://www.philobiblon.org/incunaboli-cinquecentine/e-galeni-librorum-pars-prima-pars-quinta" title="Γαληνοῦ Α´-E´. Galeni Librorum pars prima-pars quinta."><div class="highlight"></div>
                                    <h2>Claudius Galenus.</h2>
                                    <h3>Γαληνοῦ Α´-E´. Galeni Librorum pars prima-pars quinta.. <span>Venezia, eredi di Aldo Manuzio e Andrea Torresano, aprile-agosto 1525..  </span></h3>
                                    Un&rsquo;opera in cinque volumi in folio (mm 314-318&times;218-224). I. Segnatura: [*]4, A&alpha;-&Gamma;&gamma;8; a-e8, f4, g-l8, m4, n-o8, p10, q4, r-x8, y10, z8, &amp;6; A-L8, M12, N8 (bianche le carte f4, &amp;6; impresse al solo recto le carte [*]1, [*]4, &Gamma;&gamma;4, a8, m4, M12). Quattro carte non numerate, 24 carte numerate, 181 carte (mal numerate 180), una carta bianca; 108 carte...
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                                    <h2>Claudius Ptolemaeus.</h2>
                                    <h3>La Geografia di Claudio Ptolomeo alessandrino, con alcuni comenti & aggiunte fattevi da Sebastiano munstero Alamanno. <span>Venezia, Giovan Battista Pederzano, 1548..  </span></h3>
                                    In-8&deg; (mm 166x109). 8 carte non numerate, 214 numerate, due non numerate (di cui la seconda bianca); 60 carte geografiche su doppia pagina, 64 carte non numerate. Frontespizio entro bordura silografica, alla carta 2r un ritratto inciso in legno di Tolomeo che tiene un astrolabio nella mano guardando le stelle; diagrammi silografici e iniziali silografiche. Illustrato da 60 mappe incise in...
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                                    <h2>Ptolemaeus, Claudius (ca. 100-168).</h2>
                                    <h3>Cosmographia. Tr: Jacobus Angelus. Ed: Angelus Vadius and Barnabas Picardus. <span>Hermann Liechtenstein,  13 September 1475.</span></h3>
                                    Folio (304x205 mm). Collation: aa10, bb8-1, a10, b-g8, h10, A-F8, G10. 142 of [143] leaves, lacking fol. aa1 blank. Text in one column, 39 lines. Type: 102R. Finely painted initials alternately in red or blue, the one on fol. aa8v with extension. Seven-line blank space on fol. aa1r. Rubricated in red and blue, the capital letters touched with yellow. Four woodcut diagrams on fols....
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