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                                    <a href="http://www.philobiblon.org/letteratura/lezioni-sulle-doti-di-una-colta-favella-con-una-non-piu-stampata-sullo-stile-da-usarsi-oggidi-edal" title="Lezioni sulle doti di una colta favella con una non più stampata sullo stile da usarsi oggidì ed altre operette del medesimo autore"><div class="highlight">The Heir of Bodoni</div>
                                    <h2>Colombo, Michele (1747-1838).</h2>
                                    <h3>Lezioni sulle doti di una colta favella con una non più stampata sullo stile da usarsi oggidì ed altre operette del medesimo autore. <span> Parma, Giuseppe Paganino, 1820.  </span></h3>
                                    8&deg; (192x125 mm). Printed on blue paper. [2], v, [1], 191, [1] pages. Small woodcut ornament on the title-page. Contemporary brick-red boards. Smooth spine, title engraved on paper label. Corners worn, joints somewhat abraded, a few cracks to the upper one. A good, uncut copy. Small loss to the blank lower outer corner of the half-title page, not affecting the text. Some light foxing in...
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                                    <a href="http://www.philobiblon.org/letteratura/apologia-de-gli-academici-di-banchi-di-roma-contra-m-lodouico-casteluetro-da-modena-in-forma-duno-1" title="Apologia de gli Academici di Banchi di Roma, contra M. Lodouico Casteluetro da Modena. In forma d’uno Spaccio di Maestro Pasquino. Con alcune Operette del Predella, del Buratto, di Ser Fedocco..."><div class="highlight">The author, and the recipient of the book in the poet Molza’s villas; An association copy printed on blue paper</div>
                                    <h2>Caro, Annibal (1507-1566).</h2>
                                    <h3>Apologia de gli Academici di Banchi di Roma, contra M. Lodouico Casteluetro da Modena. In forma d’uno Spaccio di Maestro Pasquino. Con alcune Operette del Predella, del Buratto, di Ser Fedocco.... <span>Seth Viotti,  November 1558.</span></h3>
                                    4&deg; (210x150 mm). Printed on blue paper. Collation: A-Z4, a-i4, k6, l-m4. 268, [16] pages. Roman and italic type. Engraved printer's device on the title-page and woodcut device on verso of fol. m4. Woodcut animated initials. Eighteenth-century quarter-leather, marbled covers. Smooth spine with gilt title on lettering-piece, compartments framed in gilt tools. A very good copy,...
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                                    <a href="http://www.philobiblon.org/letteratura/scritti-giovanili" title="Scritti giovanili.."><div class="highlight">Dono agli Amici</div>
                                    <h2>Buonamici, Francesco (1832-1921). .</h2>
                                    <h3>Scritti giovanili... <span>Pisa,Tipografia Citi, 15 giugno 1861.  </span></h3>
                                    16&deg; (137x95 mm). Printed on blue paper. [4], 127, [3] pages. Original editorial boards, spine lacking. A good copy, minor foxing. The first andlast leaves slightly discoloured.
The Pisan lawyer and politician Buonamici, future senator of the Regno d'Italia, issued this booklet not for sale, but rather to begiven as gifts to his friends, as attested by the printed inscriptionon the first leaf...
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                                    <a href="http://www.philobiblon.org/letteratura/il-cesano-dialogo-di-m-claudio-tolomei-nel-quale-da-piu-dotti-huomini-si-disputa-del-nome-col-quale" title="Il Cesano, dialogo di M. Claudio Tolomei, nel quale da più dotti huomini si disputa del nome, col quale si dee ragionevolmente chiamare la volgar lingua... (bound with:) Plato (427-ca. 347 BC). Il dialogo di Platone, intitolato il Timeo... Venice, [Orfeo Dalla Carta] for Comin da Trino, 1558"><div class="highlight">Bound in painted vellum for Marquis Luigi Sylva</div>
                                    <h2>Tolomei, Claudio (1492-1555).</h2>
                                    <h3>Il Cesano, dialogo di M. Claudio Tolomei, nel quale da più dotti huomini si disputa del nome, col quale si dee ragionevolmente chiamare la volgar lingua... (bound with:) Plato (427-ca. 347 BC). Il dialogo di Platone, intitolato il Timeo... Venice, [Orfeo Dalla Carta] for Comin da Trino, 1558. <span>Venice, Gabriel Giolito de' Ferrari & Brothers, 1555.  </span></h3>
                                    (bound with:) Plato (427-ca. 347 BC). Il dialogo di Platone, intitolato il Timeo, overo della natura del mondo. Tradotto di lingua greca in italiano da m. SebastianoErizzo, gentil'huomo venetiano. Et dal medesimo di molte utili annotationi illustrato, et nuovamente mandato in luce da Girolamo Ruscelli. Venice, [Orfeo Dalla Carta] for Comin da Trino, 1558.
Two works in one volume, 4&deg; (205x143...
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                                    <h2>Dante.</h2>
                                    <h3>Hölle, deutsch von L. Zuckermandel. Zweite neu bearbeitete Auflage. <span>Strassburg, Heitz, 1925 ca..  </span></h3>
                                    In-8&deg;. Pagine 206. Brossura editoriale figurata, titoli in nero al dorso e al piatto anteriore. Buon esemplare.
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                                    <a href="http://www.philobiblon.org/letteratura/il-codice-cassinese-della-divina-commedia-per-la-prima-volta-letteralmente-messo-a-stampa-per-i-cura" title="Il codice cassinese della Divina Commedia, per la prima volta letteralmente messo a stampa per i cura dei monaci benedettini della badia di Montecassino"><div class="highlight"></div>
                                    <h2>Dante.</h2>
                                    <h3>Il codice cassinese della Divina Commedia, per la prima volta letteralmente messo a stampa per i cura dei monaci benedettini della badia di Montecassino. <span>Montecassino, Tipografia di Montecassino, 1865.  </span></h3>
                                    In-folio. Pagine LV, 592, [2]. VII tavole a colori, facsimili del codice cassinese, di cui una applicata, legatura in mezzo marocchino e angoli, titoli e filettature in oro su dorso a nervi, coperte originali conservate, ritratto di Dante in antiporta da un dipinto di Scipione Pulzone da Gaeta, conservato a Montecassino. Esemplare fresco, privo di difetti.
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                                    <h2>Donati Lamberto.</h2>
                                    <h3>Chi furono gli Accademici della Crusca che prepararono la Divina Commedia del 1595?. <span>Firenze, Sansoni, 1953,.  </span></h3>
                                    in-8, pp. 19 con 34 facsimili n.t., (2), broch. edit. grigia, titoli in nero e blu ai piatti contornati da bordura floreale blu, in antiporta tavola a riproduzione del frontespizio della Commedia del 1595. Ed. di 333 copie impresse, (ns. 301).
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                                    <h2>Gozzi, Gasparo (1713-1786). .</h2>
                                    <h3>Favole esopiane di Gasparo Gozzi pubblicate nelle nozze Da Mula – Lavagnoli. . <span>Venice, Stamperia Pinelli, 1809.  </span></h3>
                                    4&deg; (222x157 mm). Printed on blue paper. [16], 43, [1] pages. Woodcut ornament on the title-page. Contemporary marbled boards. A very good copy. Title-page slightly foxed and dusted. Spot to upper margin of last leaf. &lsquo;Gozzi Gaspare' written in blue ink on the front cover.
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                                    <a href="http://www.philobiblon.org/letteratura/crestomazia-italiana-cioe-scelta-di-luoghi-insigni-o-per-sentimento-o-per-locuzione-raccolti-dagli" title="Crestomazia italiana cioè scelta di luoghi insigni o per sentimento o per locuzione raccolti dagli scritti italiani in prosa di autori eccellenti d'ogni secolo"><div class="highlight"></div>
                                    <h2>Giacomo Leopardi.</h2>
                                    <h3>Crestomazia italiana cioè scelta di luoghi insigni o per sentimento o per locuzione raccolti dagli scritti italiani in prosa di autori eccellenti d'ogni secolo. <span>Milano, Stella e Figli, 1827.  </span></h3>
                                    Due volumi in-12&deg; (mm 189x116). 356 pagine; 744 pagine. Brossura editoriale arancione, al piatto anteriore note tipografiche entro cornice neoclassica, ripetute al dorso. Splendido esemplare con barbe, lievi screpolature in corrispondenza delle cerniere e delle estremit&agrave; della brossura.
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                                    <a href="http://www.philobiblon.org/letteratura/gli-heroici-di-gio-battista-pigna-a-donno-alfonso-da-este-ii-duca-di-ferrara-v-1" title="Gli Heroici di Gio. Battista Pigna, a Donno Alfonso da Este II. Duca di Ferrara V..."><div class="highlight">Se ne trovano copie in carta grande ed in carta turchina — S. Bongi</div>
                                    <h2>Pigna, Giovanni Battista (1529-1575).</h2>
                                    <h3>Gli Heroici di Gio. Battista Pigna, a Donno Alfonso da Este II. Duca di Ferrara V.... <span>Gabriele Giolito de' Ferrari,  1561.</span></h3>
                                    4&deg; (210x152 mm). Printed on blue paper. Collation: A-M4, N6, *4, **4. 105, [19] pages. Complete with fol. N6 blank. Roman and italic type. Woodcut printer's device on the title-page, a different device on fol. N5v. Woodcut animated initials, head- and tailpieces. Fol. L4v within woodcut architectural border. Nineteenth-century cardboards, covered with brown paper. Spine with...
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                                    <a href="http://www.philobiblon.org/letteratura/la-famiglia-cavalcabo-ossia-notizie-storiche-intorno-alla-medesima-raccolte-dal-nobile-signor-conte" title="La Famiglia Cavalcabò ossia Notizie storiche intorno alla medesima raccolte dal nobile signor conte d. Giovan Carlo Tiraboschi canonico prevosto della cattedrale di Cremona"><div class="highlight">Local family history</div>
                                    <h2>Tiraboschi, Giovanni Carlo (1746-1818).</h2>
                                    <h3>La Famiglia Cavalcabò ossia Notizie storiche intorno alla medesima raccolte dal nobile signor conte d. Giovan Carlo Tiraboschi canonico prevosto della cattedrale di Cremona. <span>Cremona, Giuseppe Feraboli, 1814.  </span></h3>
                                    8&deg; (191x114 mm). Printed on blue paper. [4], 260 pages. Woodcut headpiece on page 1. Contemporary green morocco. Covers framed within gilt fillet and narrow frieze. Smooth spine, divided into compartments by double gilt fillet, and decorated with floral tools; title in gold on honey morocco lettering-piece. Board edges decorated with gilt diagonal fillets, marbled pastedowns and flyleaves,...
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                                    <a href="http://www.philobiblon.org/letteratura/trattato-di-meser-giovanni-della-casa-nel-quale-sotto-la-persona-d-un-vecchio-idiota-ammaestrante-un" title="Trattato di meser Giovanni Della Casa, nel quale sotto la persona d'un vecchio idiota ammaestrante un suo giovanetto si ragiona de modi, che si debbono o tenere, o schifare nella comune conversatione, cognominato Galatheo"><div class="highlight">The first book entirely devoted to good manners</div>
                                    <h2>Della Casa, Giovanni (1503-1556).</h2>
                                    <h3>Trattato di meser Giovanni Della Casa, nel quale sotto la persona d'un vecchio idiota ammaestrante un suo giovanetto si ragiona de modi, che si debbono o tenere, o schifare nella comune conversatione, cognominato Galatheo. <span>Milan, Valerio Meda and Brothers for Giovanni Antonio degli Antoni, 1559..  </span></h3>
                                    8&deg; (162x96 mm). Collation: A-E8, F4. 44 leaves. Italic and roman type. Woodcut printer's device on the title-page and at end. Woodcut decorated initials. Twentieth-century light brown leather, richly gilt tooled. Covers within concentric frames and one lozenge, at centre large fleuron. Spine with five raised bands, title in gilt lettering. Gilt edges. A fine copy.
$ 2,200
The first separate...
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                                    <a href="http://www.philobiblon.org/letteratura/novella-dell-abate-girolamobaruffaldi-ferrarese" title="Novella dell'abate GirolamoBaruffaldi Ferrarese"><div class="highlight">A bibliographical rarity</div>
                                    <h2>Baruffaldi, Girolamo (1675-1753). .</h2>
                                    <h3>Novella dell'abate GirolamoBaruffaldi Ferrarese. <span>Bergamo, Stamperia Mazzoleni, 1848.  </span></h3>
                                    Large 4&deg; (288x206 mm; the last four leaves 288x161 mm). Printed on blue paper. [4], 8, [2] pages. First and last leaf blank. Small woodcut ornament on the title-page. Original orange editorial boards, title and imprint lettered in gilt on the upper cover. Small losses to spine and corners. A very good copy, a few minor, occasional spots.
 
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                                    <a href="http://www.philobiblon.org/letteratura/fables-choisies-mises-en-vers" title="Fables choisies mises en vers."><div class="highlight"></div>
                                    <h2>Jean (de) La Fontaine.</h2>
                                    <h3>Fables choisies mises en vers.. <span>Parigi, Denys Thierry, 1668.  </span></h3>
                                    In-4&deg; (mm 230x170). [56], 284, [2] pp. Al frontespizio vignetta incisa raffigurante le armi del Delfino Luigi XIV. Illustrato da 118 eleganti vignette incise eseguite da Fran&ccedil;ois Chaveau. Capilettera ornati, testatine e finalini silografici. Splendida legatura inglese ottocentesca in marocchino biondo; piatti decorati da una cornice dorata delimitata ai suoi angoli da ferri arabescati....
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                                    <a href="http://www.philobiblon.org/letteratura/prospetto-generale-della-svezia-del-signor-catteau-tradotto-dall-originale-francese-tomo-primo-tom" title="Prospetto generale della Svezia del signor Catteau. Tradotto dall'Originale Francese. Tomo primo [-Tomo secondo]"><div class="highlight">If each country could find a Catteau as its historian…</div>
                                    <h2>Catteau-Calleville, Jean Pierre Guillaume (1759-1819)..</h2>
                                    <h3>Prospetto generale della Svezia del signor Catteau. Tradotto dall'Originale Francese. Tomo primo [-Tomo secondo]. <span>Bologna, Giovanni Battista Sassi, 1810.  </span></h3>
                                    Two tomes in one volume, 8&deg;. (173x108 mm). Printed on blue paper. Each Tome with separate title-page. I. 203, [1] pages. Title-page with woodcut vignette. Woodcut head- and tailpieces. II. 213, [1], 24, [2] pages.Woodcut vignette on the title-page, head- and tailpieces. Contemporary half-leather, marbled covers. Smooth spine, compartments underlined with small frieze and decorated with...
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                                    <a href="http://www.philobiblon.org/letteratura/the-hunting-of-the-snark" title="The Hunting of the Snark"><div class="highlight"></div>
                                    <h2>Lewis Carroll.</h2>
                                    <h3>The Hunting of the Snark. <span>London, Macmillan and Co., 1876.  </span></h3>
                                    In-8&deg; (mm 184x123). 11 pagine con numerazione romana, due pagine non numerate contenente l&rsquo;indice, 83 pagine, tre pagine non numerate contenenti note tipografiche e pubblicit&agrave; editoriale. Anteporta e nove illustrazioni disegnate da Henry Holiday. Legatura editoriale in tela color crema figurata ai piatti da elaborate incisioni in nero, sempre opera di Henry Holiday; dorso con...
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                                    <a href="http://www.philobiblon.org/letteratura/le-opere-di-g-b-p-di-moliere-divise-in-quattro-volumi-arricchite-di-bellissime-figure-tradotte-da" title="Le opere di G. B. P. di Moliere, divise in quattro volumi, &amp; arricchite di bellissime figure. Tradotte da Nic. di Castelli […] Tomo I [-IV]"><div class="highlight">Exceedingly rare complete set of Molière’s first Italian edition</div>
                                    <h2>Molière (Jean-Baptiste Poquelin, 1622-1673).</h2>
                                    <h3>Le opere di G. B. P. di Moliere, divise in quattro volumi, & arricchite di bellissime figure. Tradotte da Nic. di Castelli […] Tomo I [-IV]. <span>Leipzig, Johann Ludwig Gleditsch at the author's expense, 1697-1698.  </span></h3>
                                    Four volumes, 12&deg; (147x77 mm). General title-page printed in red and black in each volume, bearing the date 1698; each play has a separate title-page (dated 1697) along with its own pagination. The volumes are complete, as issued. I. Collation: &pi;4(-&pi;4), A-D12(-D12), E6, A-D12, E2, A12, B10, A12, B10, A-B12, C2, A-C12, D2(-D2), A-C12, D10(-D10), A-B12, C2(-C2). [6], 108, 100, 44, 44, 51,...
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                                    <a href="http://www.philobiblon.org/letteratura/quaestiones-definitae-ex-triplici-philosophia-rationali-naturali-morali-in-parmensi-academia-publice" title="Quaestiones definitae ex triplici philosophia, rationali, naturali, morali, in Parmensi Academia publice triduum disputatae"><div class="highlight">“Extraordinary is a much abused adjective but it certainly describes...Quaestiones definitae ex triplici philosophia, rationali, naturali, morali “ – F. R. Goff and V. I. Eaton –</div>
                                    <h2>Farnese Ottavio (1598-1643).</h2>
                                    <h3>Quaestiones definitae ex triplici philosophia, rationali, naturali, morali, in Parmensi Academia publice triduum disputatae . <span>Parma, Anteo Viotti, 1613.  </span></h3>
                                    Folio (338x233 mm). Collation: +4, A-Y8, Z10, Aa4. [8], 374 [i.e. 372], [8] pages. Complete with the last blank leaf. Woodcut printer's device at end. Fine engraved title-page by Francesco Villamena after Giovanni Battista Trotti, also known as Malosso da Cremona. One large engraved folding plate (596x448 mm). 348 woodcut calligraphic illustrationsin text by Antonio Ferrari after Brondolus (both...
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                                    <h2>Trucchi Ernesto.</h2>
                                    <h3>Esposizione della Divina Commedia di Dante Alighieri. Inferno. Purgatorio. Paradiso. <span>Milano, Toffaloni, 1936.  </span></h3>
                                    Tre volumi in-8&deg;. Pagine 615; 575, 571, [1]. Brossura editoriale illustrata con busto di Dante ad opera di Gamba. Lievi mende alle copertine. 
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                                    <a href="http://www.philobiblon.org/letteratura/poesie-inedite-di-nicolo-ugo-foscolo-tratte-da-un-manoscritto-originale" title="Poesie inedite di Nicolò Ugo Foscolo tratte da un manoscritto originale"><div class="highlight">Unopened, in its publisher’s wrappers</div>
                                    <h2>Foscolo, Ugo (1778-1827).</h2>
                                    <h3>Poesie inedite di Nicolò Ugo Foscolo tratte da un manoscritto originale. <span>Lugano, Giuseppe Ruggia and Co, 1831.  </span></h3>
                                    8&deg; (170x104 mm). [8], 87, [1] pages. Original publisher's wrappers. A very good copy, quires unopened.
$ 1,400
First edition, dedicated to his childhood friend Costantino Naranzi, of this collection of early poems by the outstanding Italian writer Ugo Foscolo. Foscolo had composed these poems during his adolescence and copied them into a notebook which was discovered among his papers and...
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      jQuery(document).ready(function($) {
        var ocVideo = $("#oc-video");
          if($('.item-video').length > 1){
            ocVideo.owlCarousel({
              items:1,
              margin: 1,
              merge:true,
              loop:true,
              autoplay: true,
              autoplayTimeout: 5000,
              autoplaySpeed: 500,
              autoplayHoverPause: true,
              smartSpeed: 500,
              //dotsContainer: '#video-nav',
              dots: true,
              video:true,
              nav: true,
              navText:  ["&laquo;","&raquo;"],
              lazyLoad:true,
              videoWidth: 800, // Default false; Type: Boolean/Number
              videoHeight: 470, // Default false; Type: Boolean/Number
              center:true,
              responsive:{
                480:{
                  items:1
                },
                600:{
                  items:1
                }
              }, 
              onInitialized: afterOWLinit, // do some work after OWL init
              onRefreshed: afterOWLinit // do some work after Update
            });
          }else{
            ocVideo.css("display","block");
            ocVideo.find('.item-video').css("text-align","center");
          }
            function afterOWLinit() {

                // adding A to div.owl-page
                //$('.owl-controls .owl-dot').append('<a class="item-link" href="#" />');

                var pafinatorsLink = $('#oc-video .owl-controls .owl-dot');
                //var pafinatorsLink = $('#video-nav .owl-dot');

                /**
                 * this.owl.userItems - it's your HTML <div class="item"><img src="http://www.ow...t of us" alt="" /></div>
                 */
                $.each($('#oc-video .owl-item:not(".cloned")') , function (i) {
                    var img = $(this).find('img').attr('src');
                    if(!img) img = $(this).find('.owl-lazy').attr('data-src');
                    $(pafinatorsLink[i])
                        // i - counter
                        // Give some styles and set background image for pagination item
                        
                        .css({
                            'background': 'url(' + img + ') center center no-repeat',
                            '-webkit-background-size': 'cover',
                            '-moz-background-size': 'cover',
                            '-o-background-size': 'cover',
                            'background-size': 'cover'
                        })
                        // set Custom Event for pagination item
                        .click(function () {
                            ocVideo.trigger('to.owl.carousel', i);
                        });

                });

                //$('#oc-video .owl-controls .owl-dots').addClass('hidden');
            } 

      
    });


    </script>
</body>
</html>