Flittner, Johann (fl. 1st half of the 17th century) - Murner, Thomas (1475-1537).
Nebulo Nebulonum; hoc est, Iocoseria Modernae Nequitiae Censura; qua Hominum Sceleratorum fraudes, Doli ac versutiae aeri aërique exponuntur publice: Carmine Iambico Dimetro adornata a Joanne Flitnero, Franco, Poëta Laureato. Frankfurt am Main, Jakob de Zetter, 1620.
8° (156x98 mm). Collation: [π]4, A-K8, L4. , 164,  pages. Complete with fol. L4 blank. Roman and italic type. Engraved title-page. Thirty-three engravings in the text (91x72 mm). Woodcut decorated initials, head- and tailpieces. Contemporary blind-ruled vellum, over pasteboards. Spine with inked title. A very good, unsophisticated copy. Outer margin of the title-page slightly trimmed. Minor browning, wormholes in the inner margin not affecting the text.
Provenance: given as a gift by 'Petr. Mock.' to a certain 'Doctor Frederice' (address on the recto of the front flyleaf); modern, unidentified ex-libris on the front pastedown.
First edition of the free Latin adaptation by the German poet laureate Johann Flittner of the Schelmen Zunft by Thomas Murner, a collection of satirical poems first published in 1512 and strongly influenced by Brant's famous Narrenschiff. Flittner's adaption enjoyed great popularity: subsequent editions of the Nebulo Nebulonum were published in 1634, 1636, 1644, and 1663, while a translation into Dutch appeared in Leeuwarden in 1634 and 1645.
The work is dedicated to the brothers Joannes Jacobus, Dominicus and Joannes Porsch, and contains thirty-three poems, each of which is illustrated by an allegorical engraving and accompanied by two captions, one for the poem and one for the plate, as well as an explanation in prose. Particularly for its age, the Nebulo Nebulonum is a very curious emblem book, which makes fun of the customs of Flittner's time, sparing no social class. If the clergy is the most heavily and frequently attacked, all professions are taken into account, especially those who use words to deceive and seduce other people like jurists, councillors, clerics, and preachers.
The lively illustrations – likely designed by the publisher Jakob de Zetter – show the daily life of the time, depicting costumes, the interiors of homes, and indoor and outdoor activities.
VD17 1:029198C; H. Hayn-A.N. Gotendorf, Bibliotheca Germanorum Erotica, München 1913, v, 248; Landwehr 283; Wellcome 4490; M. Praz, Studies in 17th century imagery, Roma 1975, p. 337; Philobiblon, One Thousand Years of Bibliophily, no. 187.